A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
3.5吧，比前几年的节奏紧凑剧情合理一点。矮子里拔高个吧，虽然很多地方也很扯但真的算是这几年最好的😂
有几个桥段还挺好笑的哈哈哈哈哈哈，为啥法国电影里的蠢货看起来都像先天脑子就不好的那种啊。
一直忘了打分了。。。呃呃，其实应该是近几年比较好看的一部了，比较正统的警匪片
五星鼓励一下，真的好久没有看过这么好看的柯南剧场版了呜呜呜
是谁说搞屎尿屁下三路的不算英雄～纯粹点，就让搞笑重归搞笑吧。你听到了吗春晚导演组？
法国人挺会恶搞世界上的一切的，包括他们自己…
超白痴屎尿屁无厘头。盲猜编导应该是老港式喜剧片爱好者和星爷重度粉丝。
杂技演员柯南绝了。还是警察学校队比较好看~~~
这部质量意外的还可以，也可能是因为我看之前的期待是负500结果动画大概做到了10。警校四人合力抓人那段好到巅峰时期的柯南警匪戏水平，有点惊艳
虽然依旧柯学，但已经是近几年的剧场版里难得的故事完整，逻辑自恰，笑点泪点拿捏精准的合格作品了。
近年最烂。强行拉流量（安室透）进局，各种离大谱，连柯南都智商下线只秀肌肉…23年最好是有点推理成分，不要把小哀也搞坏了…
我不得不说内涵得还不错，但是剧情是真的撑不起来
去年一颗子弹打穿火车，今年拿一颗足球塞满涩谷的十字路口…你呀，总是能给我整出点新花样🤡
四星半。超英演员失忆误以为自己是真正的超英这个梗真的非常好笑！！很多桥段笑到飞起，是很好看的喜剧作品。
回忆穿插做的居然挺好，没有显得很突兀，结婚果然只是个噱头，重点还是警校五人组，摊牌了，我觉得比去年好看，对我来说这就够了，比起做推理，柯南真的更擅长做感情线
为什么四月定番的剧场版要用万圣节主题啊 不过侦探团的万圣节装很可爱了就是说
后面那个初代复联的集合真的是笑惨了，挺好的
日本的第二年生日又去看了柯南剧场版，相比于第一年，日语虽然有些提高还是很多地方听不懂，任重而道远呀。相比前几部剧情玩好不少，情节依然是牛顿看了都落泪，超人看了都不会，虽然很难回到20年前那种真正意义上的侦探剧场版，但是鉴于最近几年的进步，四星鼓励！
卖人设电影这个水平我没什么抱怨了，对我来说前半截就值回票价了。反正是我这几年看得最开心的一部。不过高木和佐藤的结婚画面并没出现有点涉及虚假宣传（如果有人是冲着他们去的的话），出了蓝光我会入的。唯一说不太开心的就是高木扮松田的剧情吧，怪里怪气的不知道谁看了会开心。
哇哦，好多年都没有遇到觉得好看的剧场版了。虽然还是动作电影，但这次真的好看。这么多年还是会被松田感动到。
Copyright © 2015-2023 All Rights Reserved
