Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
冬雪，白色小镇，房屋上的灯光，节日拐杖糖，甜得可以，但是多数都是速溶糖精
故事老套，虽然黑白配但是黑人小哥太tm养眼了！
喜剧，不用带脑子，圣诞合家欢，同性题材，全家都有磕到真人cp的感觉，看完还是很开心的
很甜但是很扯，做朋友那么多年，突然在一起……emmm有点不适
每年恒历的圣诞romcon，就完全符合预期。一大堆熟悉面孔，数不清的刻板印象桥段，完成度满意，反正就说不上多好也说不上多坏的一部片子。Michael好久不见，不过刚40出头脸怎么就垮成这样了，而且表演还是一如既往的power bottom气场满满，非常的套路。Phil很好看啊，身材匀称又暖又萌，上头了！Luke我反而感觉就还好。这种贺岁片其实就不能纠结系列和剧情，反正没什么新意但是还算温暖舒服，总之就是一边看一边感叹cliche, cliche, cliche，但是还是能挤出姨母笑。好多第一世界烦恼和美国中产要素，让人皱眉但是又觉得世界这么糟，开心一点也蛮好。我觉得比圣诞速配等同类片子还要强上一点吧…看的开心就好~
看了五分钟以后我就觉得男主和gei蜜最后要在一起
就当个乐子，挺喜庆的。
也不好笑 也不感动 也不浪漫 & 这片名搞谐音梗吗 & 筹备三个月的campaign重来只需要随便手机拍两张照就好了做social的人看了会不会吐血 （简直浪费我的热红酒）
虽然剧情走向从两男主一亮相，就猜出个七七八八，也并没影响到继续看完整个故事的热情。3个男生都是好菜，各有各的香，Peter的家庭组成也符合圣诞节的标准配置。环节上没有多余，没有不够，传统的西方节日里，套着不传统的GAY版爱情，欢乐带来的感染力完全不受性别取向拘泥。
虽然剧情走向从两男主一亮相，就猜出个七七八八，也并没影响到继续看完整个故事的热情。3个男生都是好菜，各有各的香，Peter的家庭组成也符合圣诞节的标准配置。环节上没有多余，没有不够，传统的西方节日里，套着不传统的GAY版爱情，欢乐带来的感染力完全不受性别取向拘泥。
非常gay 也蠻溫馨的，演員們都很好看但可能太閤家觀賞了? 感覺彼此間都不大來電?
沙发土豆杀时间的片子。
救命啊，一年下来看看轻松的小基电影的机会也不多，为什么要拍得那么劣质……
过节看用来放松足足够了，特别快乐～ Michael Urie还是那么可爱QwQ 两个侄女太工具人了，家人的助攻也好牵强，虽然我觉得James和Peter也很合适，但这个朋友变恋人的烂俗结局也挺好～ aunt sandy 太有趣啦！🎵 riding solo, single all the way 🎵懒妮yyds
梗也太老了吧就因为是bl所以就可以用这种万年老梗吗
刚看完《蓝宇》就看这个
虽说笑点都在预告里，剧情都在简介里，但是3个可人儿和苏菲偶尔出来搞笑还是让影片不至于那么无聊，黑人小哥还意外的挺顺眼。感慨下俺们同志都是surviver，各各身怀绝技努力健身修图提升颜值，恋爱关系也懂得内部消化能麻烦好朋友的事儿绝不blind date，还不希望家人操心，偶尔还要帮修水管修灯哄孩子搭棚教台词被侄女氪CP。请珍爱每一个身边的GAY吧，我们上辈子素天使惹。PS：以后请多出这种齁甜的HE同影，活到现在已经不想看苦大仇深断背山了
看了感觉很勉强，剧情逻辑一般，不知想表达什么呢。
就是聖誕佳節愛情喜劇呀甜到我都要蛀牙了, 麥可優莉還是很可愛呀醜女貝蒂都變懷舊美劇了, 倒是新認識的福里萌真是可愛到不像話耶但才27歲喔//喜歡這種沒有硬要說什麼大道理, 認認真真給你一個空洞的美好幻夢的感覺祝大家聖誕快樂囉
#考完试开始补片计划# 05补偿圣诞节氛围看片
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