Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
五分给武戏，无论是兵器的复杂程度，打击感运镜和剪辑节奏说国漫第一无人争锋，但剧情真的有点苍白
丝滑，最后一击血爆玫瑰🌹
武侠国漫第一吧
武侠国漫第一吧
打戏完全征服我了，完全没见到过的镜头、角度、动作和攻击，这武指太专业了吧
武侠类型的未来在动漫啊！
像是动画版的绣春刀，就是红娘的模型还是一如既往的差。
浓郁的中国武侠风，贴合的热血配乐，招招丝滑的动作设计，国产动漫影片值得一看
这部电影的人物情感与含蓄表达都非常“日式”，前面有不少无谓的情节，叙述与节奏都比较散，但是后期父子情与姐弟情的宣泄治愈再次回到了韩国拿手的煽情上，加上影帝李星民的演绎，确实是拍得细腻动人，分数都加在这方面上了。
喜欢江渊:乱离人，不如太平犬。
这个名字我记了好久也没记住。画得不太好看，剧情也挺简单，但完成度挺好，是个纯纯武打片。江渊人设太好，整体看得很开心。
勾边是否勾的太那个了，人物看上去像贴纸😰面部表情有点呆呆的，看上去大家演技好差……打戏好厉害，可以说是我见过最厉害的打戏动画片➕电视剧，整体风格偏仙剑奇侠传加点金庸，感情戏有点尴尬下次能不能删了😅“视而不见，与刽子手同罪”的命题很新，罗影讲“爹，你为什么不早告诉我”，我也狠狠痛心，江渊搞一个逼轰炸机出来然后潦草领便当实在太潦草了，感觉他肯定没死（彩蛋果然给了他一个镜头），亭子里的打戏我好喜欢，像刀马旦，最后那一段黑白感觉在看上海美术制片厂，“我没有错，只是败了”。
画风第一眼看不惯，看进去整个故事之后就觉得超级不错，最赞的还得是打戏，说一句无敌没毛病！
精彩绝伦的打戏！看来以后的动作戏要考二次元振兴了！
这部动画能够看得出创作者對功夫和動作的尊重，而且功夫和人物表演簡直就是在告訴觀眾他們想留住什麼捨棄什麼。整體故事雖算不上是上乘之作，故事和人物都有瑕疵，但是能夠感受到創作者對於武俠的熱忱，這種事情如果持之以恆的去做，總有一天能夠得兼的。
明明是小学生剧情非得搞得头破血流的标上18禁赚噱头。还是那句话，国漫需要好编剧。
4.西门仁是一个耐人寻味的反派角色
再看一遍雪中悍刀行小说，想想电视剧版太缺少一个好的动作设计了。建议雪中重拍！动漫找准设计。
大部分角色台词、文戏都有些僵硬，但武戏是真的棒。除此之外，反派boss的设定和台词很是精彩。一套说辞冠冕堂皇，侠以武犯禁，除之才得太平，不过是政客们的惑世妖言。结合前后文，作品讲的全是政治啊
以罗通红娘为主角的前传 怎么tx视频就不能给他多几个推荐位置呢 期待正片的第二季
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