The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
请鸡汤博主不要假装科幻导演，谢谢。对“宜家风科幻片”彻底脱敏了。
或是知道未来的一切不再与我有关
是我看过最感人最温情的科幻片，也让我在想我们拿克隆技术到底为什么 延长寿命还是单纯代替自己
To be or not to be, that is a question 真的看哭了
很有科技感啊，色调很喜欢原来真是在温哥华拍的
磨磨唧唧，这么一陈年老点子复套，无心意也就罢了，还既不文艺也不科幻。
这事儿搁我我也愿意，走了什么都没了，能让自己周边的亲人不因自己的早逝而难过，有什么不好呢
我猜Ntr都不愿意干这事...好多可以挖掘的深度和矛盾比如自我和存在这种都没没拍出来，临门差几脚。
画面很棒，演技不错，但我不太喜欢这么平淡的片子
和《双重躯体》做交叉观影大概会很恶趣味www
电影版黑镜。我没有被触动，真是铁石心肠。但是当晚躺在床上确实思考了很久，我重病之后一定不会找人替代我，我的占有欲可以延续到我死后。
题材很老套，但是处理方法会跟以前的片子有些不同，非常隽永。喜欢整体的视觉效果，颇有东方的禅意。
4. 吃巧克力那段，我也混淆了。
/chy/与心爱的人在一起是难以面对死亡的
或是知道未来的一切不再与我有关
是不是一个梦
但人啊 越长大就越懒得站在主观立场上说太多 碰不到想法一样的人是正常 碰到了是会心一笑
沉浸而克制，整部剧作还是欠些许火候，只是，最后一秒还是没绷住。
题材很老套，但是处理方法会跟以前的片子有些不同，非常隽永。喜欢整体的视觉效果，颇有东方的禅意。
(所以活着的时候一定要！Talk! Talk! Talk! 去爱，用尽眼角最后一滴泪水。
Copyright © 2015-2023 All Rights Reserved
