After the Great Earthquake in Northeastern Japan, Mitsuo is sent to a mental hospital from the strain of grief from working to clear out the debris of the disaster. When he is released 3 years later, he feels a moment of happiness as he is welcomed back by his brother Yuta, his wife Yoko, their first daughter Chie, and their second daughter Itsuki, who has a down syndrome.The next day, Chie wishes to go to the amusement park, and Mitsuo takes Chie and Itsuki there. But these happy moments don't last long, and the incident happens at the park. Chie dropped Itsuki on the concrete when Mitsuo took his eyes off of them. Yoko cannot accept Itsuki's death, madly questions Chie and Mitsuo. In this pressure, Chie lies that "Uncle Mitsuo dropped Itsuki." As Yoko goes through a mental breakdown from the shock. Becoming full with regret day by day, Yoko accuses Yuta and questions if he felt relieved that Itsuki died. Hearing this fight between her parents, Chie's heart was also slowly being ...
今日はふたたび 來ぬものを。」
为什么一部剧情如此平庸的电影配上音乐,就能获得高分了,何况这音乐还不怎么样,无法共鸣。
我大概是对音乐剧电影免疫了,影评人评价这么好的电影也没觉得多好看😅。上次给我惊喜的音乐剧电影还是《巴黎小情歌》,可以看20遍。
虽然不认识这人,但后面的音乐还挺有感觉的。
所以只能力求幸福的人生
从In the Height到这部,大概真的跟林曼威无缘了。穷困潦倒不被理解的艺术家故事早已被拍烂,本该突出的社会背景几乎完全就是背景,廉价的绿幕更加让影片的时代感大打折扣。听完伯恩斯坦紧跟着再听这部真的太不够听了
音乐剧改成电影,又在电影里演音乐剧,然后穿插着一些生活片段,实在是没什么感觉。
3.5 音乐很行,剧情比较割裂,人很可惜。
神奇的音乐剧,热血的音乐人。原来成功在“下一次”。
很多歌曲都颇能引起我的共鸣。
神奇的音乐剧,热血的音乐人。原来成功在“下一次”。
终于把年度期待看了,太棒。一部专属于Larson的自传电影,要是他还在的话今年就61了吧,时光多快,排着他戏长大的林漫威都给他拍电影了。感谢疯狂夹带私货的lmm,宽街有你真好啊,这部用心到感动,just so personal!主旨就不提了,而且Larson在ttb里面提到的问题,相信看过rent的人都能找到回答。很多转场和编排都蛮有意思,喜欢两种叙事相辅相成,模拟录像带用纪录片的形式延续现实中的真实的结局,(虽然已经脱敏但还是哭得很大声)。有Vanessa声音出演,全宽街人都来客串,在Sunday看到了BP,如果MP叔也在就好啦,最后模拟点彩画的处理,是个桑粉都会流泪吧!还有个遗憾就是邀请这么多作曲人客串了为什么不邀请pasek & paul啊(不是
滴答,滴答……嘣!
在30岁生日前夕看这片再适合不过了!临近三十岁仍旧碌碌无为的我,是否也该努力创作,实现梦想呢?用歌唱出生活,满注活力,情真动听。看来我还是不适合看这种纯歌舞片,剧情平淡到爆炸,丝毫看不到人物的闪光点和动人之处,若非加菲灵气可爱的演绎,这片的看点会大打折扣。Alexandra Shipp美到360°无死角!!!快看完才知道原来Jonathan Larson便是大名鼎鼎的《吉屋出租》创作者,看完才知道导演原来是林漫威!全程没认出Vanessa Hudgens。
这么点破事拖了两小时,歌挺好听的
最好玩的是那段去广告公司做研究小组赚外快。-I don’t understand how u can take any of this seriously. -because they pay me. -money isn’t everything. -Well it doesn’t hurt. -are u sure about that?
而加菲所有关于内心戏的舞台独白段落,像是在突破第四面墙与观众对话,却让整个片更像舞台剧,也让它比看上去更适合剧院而不是做成电影。
看完最大的遗憾就是已经过了29岁可以唱里面那首 30/90 的时候,这段唱段过于迷人。
加菲完全融入了角色,这一次他很用力,褒义的。
男主唱这么多歌都不如女主一首震撼,当然剧情也说了这首是重头戏。
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