A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
要是没有皮特的那几分钟，真的难以及格。桑婆效应果然不容小觑，钱老板傻白甜意外的可爱。但这么个故事走向的东西放在2022年，真的是各方面的泛善可陈。
挺有意思，不像《神秘海域》有原著包袱，可以放开了玩，寻宝方面比《神秘海域》还好。XD
都是大咖，但是并不好笑，风景也没多好，特效感人。
整部电影的基调，像是82年的可乐里面加了半瓶老陈醋，色泽上看不出什么，实则入口就是一个酸腐的嗝儿。中年男导演拍出来满足中年男人臆想和恶趣味的电影，但我看得很娱乐，说明我也中年了~
剧本太糟糕了，莫名其妙毫无逻辑的鬼扯，桑姐自带喜剧特效都救不回来。皮特的两分钟太帅了，全片唯一亮点。
布莱德依旧帅到不行，虽然只是客串了一下下。
对比之下，这才是《神秘海域》该有的样子，非常与时俱进，还有一点《热带惊雷》的味道。
【6】以后能在电影院看到的都是这种流水线产物，本来在我看来这种电影起码能“糊弄普通观众”，再这样下去普通观众也要看透好莱坞的那点招式了。以为是个寻宝片，在最后一段之前甚至没个像样的冒险场景，真以为靠这点角色魅力能撑起全片？
情节设计套路化，甚至不如数年前的同类型影片，质量和成本都不及今年上映的《神秘海域》
太好笑了😂钱老板贡献了本片最大看点，皮特便当领的过于草率。丹尼尔真的，典型疯批无脑反派。
很一般般，某些桥段有点好笑。男女主都很啰嗦
要是没有皮特的那几分钟，真的难以及格。桑婆效应果然不容小觑，钱老板傻白甜意外的可爱。但这么个故事走向的东西放在2022年，真的是各方面的泛善可陈。
还是不习惯丹尼尔演反派哈哈哈，虽然这个故事也没什么营养，但是看的过程中还是会觉得interesting
这个女主演过不少喜剧，讲真的真不喜欢这个婊砸
无聊搞笑
对比之下，这才是《神秘海域》该有的样子，非常与时俱进，还有一点《热带惊雷》的味道。
隔壁神秘海域6.3诶，这个不配吗，确实不够爆米花，结局也不够让人眼前一亮，甚至很平庸，但是喜剧效果好很多啊，桑德拉真的是天生喜剧的料，还不是那种故意搞笑，是真的好笑，然后故事呢就这样吧，动作戏只有皮特的一点，你把这个当作冒险喜剧看，就不会觉得难受了，定位错了
能说皮特挂了后就不好看了么？非常流水线作业的爱情探险片，但整个情节的起承转合及节奏都非常奇怪，只能靠一个又一个搞笑段子撑场。比当年的《木乃伊》差了一百个《夺宝奇兵》。
近期难得的轻松欢乐探险片。1080P 22/05/21
我的身体和水八字不合
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