With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
简单粗暴东北的东，虽然可能现实不会如此，但还是挺希望东北有这样的热血警察的存在
非常意外的观影 本来是试音箱随便打开的一部片子却让我跟着看完了全场 谢苗演技在线剧情合理不过分渲染也不无脑 谢谢 我就想看看这种认真拍出来的中规中矩
简单的故事，节奏紧凑，打斗还比较精彩，领导应该拿他挺头疼，厉害，但是个人英雄主义不搞团队合作，得天天惹事
一星给用心的网大，一星给谢苗。是一个用了心的电影，但是总是感觉哪里怪怪的。和正经电影厂拍的片子比，不丝滑。
支持年轻演员，就这打戏并不比其他些武打明星，成龙，李连杰，甄子丹什么的差，而且确实是小制作。剧情不用那么复杂，看这种片，主要看打戏。那些给两星、三星的只是觉着剧里明星不够多吧。
一念之差就错过一部不错的网大了。整体很不错，节奏也快，谢苗的眉毛是画的吧，😂
好家伙，东北导火线？捻儿？从人设到动作基本一致啊
感觉还算可以，虽然明显属于小制作电影，但是，麻雀虽小五脏俱全，该有的，都给配上了。
风格还可以，就是投资可能少了些差点质感，国产动作片能打的就这么几个人了，谢苗好好搞也许还有机会
打得干脆利落颇有新意，给六分的是有啥成见么
中国能打的人还有很多，但是没有能拍的人了。
剧情很简单，就是三兄弟（类似于地痞流氓，不过有文化的那种）想要凭借“武力”威胁一些当地的有钱人参与自己的赌博生意，收取服务费...我觉得吧，多此一举，既然都有把柄，直接勒索不更省事也更安全？何必那么麻烦呢，还杀人...
真挺好看的，比绝大多数院线电影好，谢苗浪费啊，少林十八罗汉就不错
非常意外的观影 本来是试音箱随便打开的一部片子却让我跟着看完了全场 谢苗演技在线剧情合理不过分渲染也不无脑 谢谢 我就想看看这种认真拍出来的中规中矩
打斗大多集中局促空间，ktv，赌场，医院，大巴车之类的，比较写实，值得鼓励👍🏻。就是这剧情实在不敢恭维，突然就抓二嫂，后续就一顿武力速战速决……目前豆瓣评分超过了成龙警察故事2013
打戏很棒，情节有点简单，不过数字货币洗钱什么的操作还是有的。现在年轻人能演得出动作戏的，好像也只有谢苗了吧
21世纪了，没有人能在什么地方只手遮天了。
打戏很棒，剧情也很直接，现在的网大还真不错啊
老丈人什么时候受的伤，什么时候又犯了包庇罪？
低配版配置“导火线” 简短流畅. 一部合格的网大电影,不难看
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