The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
关于老友记的一切回顾-It sucks and you gonna love it.
请全程准备好纸巾盒... It’s good to know, as time goes by, something never changes.
没看过其他剧场版，前三分之一看得稀里糊涂，这人是谁啊约三秒就冒出来一回，好在剧情目不暇接也没空管他谁是谁，虽不记得其中二分之一的人物，但不妨碍看完若有所悟。
太长了，这是宅男补完计划吧。全世界都给碇真嗣当妈系列。最喜欢葛城的台词：儿子能对父亲做的，要么拍拍他的肩膀，要么杀了他。加持的原话。
比起友谊我看到的想到的是怀旧背后各种跟钱有关的
Oh—— My—— God! [in Janice's voice]
尽管没什么实质性内容但看的就是情怀嘛。
我看不懂但我大受震撼，还是莫名其妙觉得很厉害
前半段强于后半段，终究没有前几部剧场版优秀。从二维到CG再到实景拍摄，次元壁的触角侵入现实，叩响共鸣之门。所有人都是自己的囚徒，障碍从来不是别人设置的，而是自己在不断竖立，放过自己，也是成全自己，不想后悔，就不要松手，执念是对的，同时也是原罪。虽然不是满意的结局，但还是再见了所有的EVA。
等真嗣二十多年了，終於他長大了，那為何我悵然若失
尽管没什么实质性内容但看的就是情怀嘛。
没有自我的她也最终拥有了归属之地，不再依靠他人的想法而活而是纯粹依靠自己的意志
记忆被唤醒，青春却已逝去。
They were my friends when I didn’t really have any.
－oh那我该看看这部剧才对。
另一个平行空间，Joey已如愿以偿在威尼斯海滩卖三明治
唉，人总是要成长的。想来真嗣和源堂其实是一样人，只不过儿子比父亲更早打开心扉成长起来，想起来还是儿子救赎了父亲。看完觉得最后明日香的结局其实挺好的，明日香更需要一个普通的成年人，剑介也更配得上明日香。回头看来，懦弱的白痴真嗣竟是所有人的解药。再见啦，所有的EVA。
It's like you're always stuck in second gear，然后就去当 Top Gear 的主持人了
当那个熟悉的字号写出【剧终】，顿时热泪盈眶。感觉内心莫名完整了一部分。谢谢EVA。感谢大家最终的和解。
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