Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
竟然有人說這部比殺手保鏢2好看…當爆米花電影放空放鬆還算ok，不過有更多更好的選擇。最讓人開心的應該是看到了久違的佩妮。
《尖峰时刻》式的动作+逗比的动作喜剧。两个角色的反差和演员的表演很欢乐，轻松搞笑，但又不精巧的动作设计。尤其最后的长镜头动作戏，虽然是《1917》式的伪长镜头，但还是有很强的连贯感，让人耳目一新。故事很轻很扯，但作为动作喜剧远超及格水平。
不用脑子 轻松一笑
看完什么都没记住的爆米花电影 看得时候感觉还挺轻松愉快 假期聚会看看还不错
健身房混战那里快节奏打斗戏不错，燃起来了。
新时代探探版《PS搭档》，虽然是好莱坞拍腻了的套路，但放在亚洲的文化氛围内还是有点新鲜感的（韩国影视最近几年的飞速进步与这个战略不无关系），何况主演也是很有魅力的。全钟瑞从燃烧到这部，感觉以后会小火，期待纸钞屋。
就是为了两位主演看的好嘛！（本子够不上是真的
爆米花电影。里面好多政治正确的点 关于性别认知 关于黑命贵 麻了 我感觉是高级黑😒
刀滚肉哈特，前半段真的感觉他在讲脱口秀的表演方式哈哈哈哈太自然了
好久没看过这种轻松愉悦的小妞电影了，全钟瑞和孙锡久都好迷人！
有伍迪哈里森老师的动作喜剧必须五星啊哈哈哈，近期真是很流行冷面杀手➕话痨笑星的组合啊，这一对化学反应还不错的样子，伍迪老师一本正经冷笑话和凯文哈特满嘴跑火车我能看一天～
3.5/5 本來評價差到有點勸退我打開來看，結果晚餐殺時間來看其實意外地不錯，是不知道《殺手保鏢2》被派區克修斯拍成什麼鬼樣子，但是《玩命大臨演》在以娛樂為前提下還真的有被娛樂到，凱文哈特那張嘴一如既往停不下來，傑森史塔森棄演改換伍迪哈李遜火花其實也不錯，伍迪也是個硬漢，演殺手無違和感。
另外，别把车停在铁轨上
俩人身材都太好了，好配。。py转恋人的简单剧本夹着动机不纯的矛盾。目的暴露的以后利用社交平台互相社死了，最后是爱到刻骨铭心无法放弃所以自然地释怀吗？ 结局是美好的理想化的，虽然能嗑到，但但凡代入一点现实因素，都会为无穷无尽的潜在争执而担忧，所以这就是电影的美好所在吧。 (好奇抹布味儿的平壤冷面 竟是c9的现实取向hhhhhhh
Woody Harrelson除了脑子有时候不太好使之外，演戏还是很棒的。当时山P还专门跑来加拿大拍这部剧，我以为戏份很重，这出场有一分钟吗？😂
失重堵窗炸飞机，旋转商厦打屁股，小镇杀手联合国，电锯板斧火箭筒，真爱列车飞银纸，天妇罗里是真的有个妇女老大；动作场面设计不错，比糟烂平庸的文戏要好笑得多
也还行吧，一边看一遍干点别的完全不影响。看起来是低成本动作喜剧，但还有机舱大战、炸停车场、伪长镜头打斗这些让人印象还比较深刻的场面。
多少有点浪费时间，凯文哈特演得很努力了但确实不咋好笑
王牌保镖拍上瘾了? 感觉设定还有点日本冒牌杀手电影的感觉, 火花很足. Kevin Hart跟谁都能蹭出火花。。。后来发现伍迪·哈里森代替了杰森·斯坦森，想想确实郭达的感觉更好
因为男主来的，电影本身实在太俗套，电影语言也十分一般，两位演员的演技都体现不出来，女主在燃烧里的灵性也没了
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