The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
会有神灵庇佑吧,但悲伤的,苦痛的,失落的,终须自己勇敢面对。
人物和背景的画风有点割裂,剧情前面太慢了后面太快了,感觉新海诚开拍应该会更抓人
“我们都别无选择,只能尽我们所能。”好想住进这样的房子啊
在深夜食堂是一对到这里是父子。看得我也担心自己的养老资金。
冲着天海看的却被老奶奶吸引,她的字写得真好看。
既然资金这么紧张了,这家人还不控制下花销?????
我还以为是温馨日常篇,大灾难下的人互舔伤口相互疗伤,后面剧情来个360°大转弯,竟然是玄幻打怪?就一般般吧。
抵御灾难努力生活需要每个人做自己力所能及的事
很喜欢满屏都是植物的画面,莫名就治愈。
遭受天灾和原生家庭双重伤害的人靠妖怪来治愈,太过理想主义。
虽然很温暖。对于“为什么总是我”和灾后情感的捕捉克制而细腻。但这个叙事节奏确实低配到我了(
自从我丈夫去世后,面对纷拥而至的孤独,我开始了胡乱消费
什么都讲了,什么都没讲好。精怪和婆婆的关系设定倒是挺有趣,可惜没有用好。最后的大战跟玩儿一样……
喜欢刚开始那段关于迷途之屋的民间故事,画风和故事都很符合我对日式鬼怪故事的想象。
前半部分巨搞笑,今年观感最欢乐的新片。搞笑来源却是东亚中产的共同焦虑,病不起,葬不起,住不起,结婚成本,中年失业危机,养老压力,就差教育压力没提了…
还是蛮治愈的。想到外公上个月去世,有戳到我的感动点
后期很仓促,画风实在不适合最后大战,讲讲妖怪和日常故事的话会好看点.
虽然能明白创作者想把灾难具象化的思路,但前面这个叙事节奏和风格到了结尾整一场大战总觉得很奇怪 2.5
妖怪陆续出现那几个片段不错
感觉像是吃了广告安利,不过也减缓我的焦虑。人生嘛,就得踏实慢慢地熬下去
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