电影完成度还好。然,欲以孩童赤子之心救成人之饱经世事,我以为不可。
一路话疗,实现成年人和小孩的心灵解放与自我救赎。
警校4人组配合配合最爽,比去年让子弹飞好看。
The kid deserves a nom
虽然封面海报有点过于想拉观众的意思,但今年的内容还真挺不错的,比前几年的好太多。
透子好帅,松田好帅,彩蛋有啵啵
前半段我觉得在侮辱我的常识,后半段则是在侮辱我的智商。给一颗星吧
Nothing to do with the movie
3.尊重孩子,不去灌输“标准答案”才能培养出独立人格。
今年最后一部电影,拍得轻松,看得很舒服,有几段用录音语音的方式打破时空的方式挺喜欢的,但是整体不痛不痒,很多关系层面的东西没能探讨得更深。
And when the time comes to return to your star, it may be hard to say goodbye to that strangely beautiful world.
《名侦探柯南》大概是我看过最逗多的日本动漫,是一部思维缜密,十分优秀的动画片。亮点是推理片夹杂着感情线,几个侦探小伙伴在复杂棘手的案件中共同成长,实现自己的目标。
近年来最好的一部了,剧情好,人物也全部智商在线。
啊,小男孩演得好棒啊!好温暖却很平常的生活琐碎。
过程还行,高潮部分失望。期待一下明年的琴酒吧
Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.
(顺便被种草了《来自星星的孩子》,以及华金又一次帅到我🤤)
前半段节奏还可以,剧情相对近几年来说稍微好一点(但是依然烂),一些设定槽多无口(比如涉谷没有下水道 降谷零为什么要把直升机开过来),以及有种天国之扉的即视感(同样是南瓜灯 同样是万圣夜)。柯南滑板走钢索堪比杂技演员,安室透翘腿仿佛夜场女王。一星给我哀,一星给配乐。
The kid deserves a nom
自认为这是最好的一部剧场版!!
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