The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
having my dinner alone with it, enjoyable
职场浪漫爱情喜剧,两个人互相斗气的时候真的十分小学生,选角太好了
7.0/10。①善于赌博的前大兵+前犯人(像其他看守监狱的士兵一样因为虐待囚犯而入狱,但幕后黑手的高层都免罪了)男主出狱后生活逐渐走上正轨(有了女朋友+赌博赚钱甚多),但终因「为了帮一个关系好的大学生复仇而杀人(该人也恰好是当年免罪的幕后黑手之一)」而又进监狱。②采用了布列松式的零度表演,作用也同质,但不够简洁的运镜/场面调度、配乐(甚至配乐不少)、音响(比如男主和人对话时背景常常有嘈杂的环境声)使得影像并不极简,导致零度表演的「少即是多」大打折扣甚至格格不入。③监狱的鱼眼广角镜头运镜很有PTSD的晕眩感。
保罗·施拉德不愧是布列松铁粉,最后一幕也太《扒手》了。
没办法耐心看完。和小说最大的差别,或者说背离是,男主角一直在笑是怎么回事?
在一部爱情片里面,男女主角居然都令人生厌,唉服了油。
现如今chick flick越来越少了 且看且珍惜
剧情太老套了吧!男主身材好长相还好,还纯情,这种男的也就电影里有吧
又又又又又是傲慢与偏见到底还有多少编剧在混水摸鱼。
哇,open。相较之下,我真的是个乖到不能再乖的闷葫芦子了。
Schrader终于给了Travis Bickle一个happy ending
中国永远都是看副驾看副驾不看路
颜值高,剧情虽然俗套但我也看的津津有味,而且这个男主长得好像以前的一个外教同事!
很蠢的romcom,感情起得很莫名其妙,转得很莫名其妙,纯粹靠颜值和性张力撑着。还是那句话,一切人物的情感表达如果只通过台词叙述那么镜头语言的存在还是否有必要呢?
女主向男主父亲介绍那段我看了好几遍,爱情就是会这样,包括男主那句我知道你的一切和一切
Cliché but Joshua is my favorite name
having my dinner alone with it, enjoyable
You better put that doughnut hole away or l am gonna shove it up your semicolon.
7.0/10。①善于赌博的前大兵+前犯人(像其他看守监狱的士兵一样因为虐待囚犯而入狱,但幕后黑手的高层都免罪了)男主出狱后生活逐渐走上正轨(有了女朋友+赌博赚钱甚多),但终因「为了帮一个关系好的大学生复仇而杀人(该人也恰好是当年免罪的幕后黑手之一)」而又进监狱。②采用了布列松式的零度表演,作用也同质,但不够简洁的运镜/场面调度、配乐(甚至配乐不少)、音响(比如男主和人对话时背景常常有嘈杂的环境声)使得影像并不极简,导致零度表演的「少即是多」大打折扣甚至格格不入。③监狱的鱼眼广角镜头运镜很有PTSD的晕眩感。
以为男主角后面有大阴毛,原来是一个正直男。没有别的,就结束了90分钟
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