This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
这结尾就没了？很突然。
40米大刀可还行？一个瘦弱的女子成了大反派，大概就是这部片烂的原因，一家人都搞不定。
小丑+克勃格安娜+俄罗斯黑帮头子干不过一个甜妹？不过甜妹是真的美，绝对加分项了。另外，两个白人的孩子为啥肤色不是白色？
女主最后十分钟人设急剧变化 前期杀人不眨眼的美艳食人花就因为同伴几句话转头杀了自己的帮手？临死之前还流下了泪…既然人设是心理不正常的女人 怎么会出现这种镜头…想政治正确也改得自洽点吧…为女主多给一星
另外看到抗议人群在街头拿小锤砸砖块，莫名想笑，这块头子的，太熟悉了。
看完觉得本片最大的亮点就是大美女女主，人不仅美，而且演技也不错，把魔鬼天使的两面性演的都挺到位的。其他人的演技就比较拉胯了，而且剧情也是高开低走，硬伤很多，比如男主逃走被抓就显得很无脑，那个房东被杀也显得过于走过场，女主杀男二也显得很突兀，最后小女孩开枪打死女主又显得很出戏，此类种种让人很难给影片高分啊。
到碉堡之战前、可以给到五星，精彩的合成器音乐，残酷的战争背景，生命无常，震撼的冰上行动，极光荡漾………可随着抗战神剧既视感、儿戏般的碉堡之战让整部影片彻底垮掉，更别说女主最后的那些反智操作，真的可惜了
咋说呢，一个还玩着千禧年之前那套的过气编剧再加上一个二把刀导演，怀揣因为哥谭青年小丑火起来的卡梅隆·莫纳汉和约翰·马尔科维奇与弗兰克·格里罗三张不错的牌，在配上三位性感尤物，换来的确实和影片名字一样，支离破碎的一地鸡毛，三十分钟基本上就能看到底的剧情，后面的六十分钟，就是无聊加无聊了，可惜了颜值了，老编剧看来已经不知道现在的电影需要些什么了……
能不能稍微弄的不那么恰到好处？
设定的背景挺深刻。女权战斗番。寻找女儿。但故事太扯。动作戏份也烂。滑冰鞋的设定还好吧。
有点无聊，女主太瘦， 女二戏份太少，老头子也是打酱油的。就我奇怪为啥小孩是黑人？
集中看了批奶飞，就...你们是急着交数量KPI？
剧情老套没有逻辑，低配《寄生虫》，有几处画面和配乐挺阴间的，有种《黑暗面》的感觉，单纯就当教育片看啰，告诉我们要远离来历不明的年轻女性
高端的猎人往往以猎物的方式出现…全剧没一个好人，挺真实的。
剥开战争的皮，就是尼森大叔的拯救行动。母爱伟大
谷阿莫，下面网友说片长短一些就好了，那我找到正确打开方式。很完整的一个故事，六人小队执行任务，挨个死掉，最后女主虽然完成了任务，但是为了不泯灭的人性，和自己千辛万苦送来的生化武器一起爆炸。
Call me by my name, Margret. 俗套剧情+古典配乐+惊艳女主，主要是为了看莉莉库拉格。
我觉得挺好看的啊，拍摄手法讲究，故事紧凑，主角漂亮，演技也很好。这不就够了吗，一定要剧情有多么复杂，悬疑吗……
挪威速滑宣传片。星星都给末世冰原视效，冰上坟场一段很震撼，剧本是大数据流水线，片长缩短半小时正好
导演三观太扭曲，很多场景拍的不错，其他一无是处
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