With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
挺好的啊，起码比那些投入巨资洗钱的拍的要好，剧情挺好
"我找不到葱花了"别哭死我…
合格且标准流水生产的网络商品（IP、特效、爱情、吴孟达遗作、煽情、场面戏、激情戏）。但是电影不应当是快消品，这个IP之所以火到今天，能为周边和这类电影提供生命不是因为它快消。
怎么觉得还行，特别是比起同期的翻拍剧，居然隐约想起了当年……
作为一部网剧的确还不错。女主竟然是天水妹子也是惊呆了。这部大概是达叔最后一部？
好像有个白蛇缘起吧，不是动画片，是个真人版的，也是讲的白蛇前世，这个感觉不如那个
灯妖大战《星河舰队》虫海，满打满算1小时10几分钟的电影，就记住了一句话：我一直想把你变成我喜欢的样子，可我早已离不开你现在这个样子。
网大良心之作，达叔情怀满分，
我个人是不知道大话西游好看在哪里的，大话西游如果让我去打分也就是三分吧，然后这部也是三分。
看了十分钟开始二倍速，还是嫌慢，有些剧情没有意思也没有意义。男主有点像黄轩但演技不太行，女主长得还行，比网红脸强。
作为网络电影，可以说是非常不错了。剧情流畅通顺，对于前作也有很好的衔接和创意，演员的表演也没有很尴尬突兀的感觉，甚至紫霞仙子还出人意料的展现出灵气和俏皮，就是故事上始终还是有所欠缺，时长有点短，能再打磨一下肯定更好了，但因为是网络电影，也不过多要求了。
就是三种感觉：①缅怀达叔；②致敬《大话西游》系列；③重温《一生最爱》歌曲的感动。其余的，五毛钱特技，全剧无笑点，人物塑造太肤浅，当作消遣剧看看即可。
●2022.02.03
三点值得看。永远的达叔、不让人生厌的紫霞、能串联《大话西游》两部的某些点。其他，均表现出有心无力，草率了事之感，虽有诚意，但才气和财气不足。
5分吧，缺点还是很多，剧情有反转，无聊的时候看看还行。
没想到的好，大话西游前传，讲了月光宝盒来源，处处呼应，情节轻松好笑感人。达叔出彩。
作为网剧还行，不过也就2星半，炒大话西游的冷饭，但只有皮毛而已，好在男主和女主还行，达叔也不错，也是告别之作了。
这比刘镇伟本人的炒的冷饭香多了
算是非常合格的网大了
有点意外，看得出本子还是下了些功夫的，演员没拉垮，节奏没拉垮，看完没尴尬，这对于小成本网大来说就已经非常难得了。多好谈不上，起码有诚意，请继续加油，我们需要更多有诚意的网大。
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