After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
1668。作为一个警察分辨不出来男扮女装，我个人是不太相信的。但整个故事还是真挚感人。
很有感覺⋯
男主紧绷而性感的深柜气息消失了 ，他放松了下来，接受了自己，整个人都变好了
现在看这种会觉得蛮无语的 你的一生我只借一晚 我的未来在首都
感动，如果我有一个叫萨拉的孩子，我会让他活出自我
在处理变装题材上做到了去奇观化，也在导演镜头下看到了一个不一样的巴西。
(直到三十分钟驾车时才出现片名，一下子想起阿彼察邦的《祝福》，而且也同样是出逃之意)
「你一直是你，我却不知道是什么我，直到我们拥有彼此的私人荒漠。」导演导的很出彩，很细腻，值得一看
男二其实很会撩，是个磨人的小妖精。男主最开始两次见到女装男二，眼睛里都是光。
高出预期的一部电影，两个人好有CP感哦……虽然最后没在一起，但还挺为他俩高兴的。
找到自我与现实威逼的故事，性别与这个世界的对抗。
前面一直都很好，结尾真不行，生活本就不完美，刻意扭转就大可不必了，停留在伤感的情绪中岂不是更好
很梦幻的一次经历像是 和自己的经历总觉得很相似 以至于看这部电影的时候 有很深的代入感 那些过往的画面也像电影一样 在脑海闪过 只觉得像是一场梦一样
自然风光拍的很美，小时候的狮子和狼也可爱到爆炸，但是这个剧情也太老套了吧，这种桥段我小时候就看腻了。
爱不一定要在一起，即使你想做我荒漠里的渔夫
三星半。前半段厚重感足，发现男二性别后，人物twist太生硬，自我觉醒的戏太干，男主整个角色垮台。总结：起似大师，落于俗套。
4 前半段有些温吞，叙事到了两人终于见面才开始高速发展。导演对Robson的刻画太好了，家庭、教会、自我、爱情，以至于前半段的警官寻人都没有那么精彩了，我们和那么多人产生联系最后还是会孤独，可能每个人都不知道自己在找什么，这个结局我很喜欢。
女装大佬pua网恋男金叉，连拉美基片也开始偶像剧化了。一股子湾湾味
失望大于期望。摄影不错，但是剧情难听点说就是一个男主被PUA的故事，类似的剧情上演过很多遍了。男主的觉醒转变不能从电影中看出来。
崩溃，泄欲，思考，回归。
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