The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
当评分 低于6真的是烂片，浪费了一个下午看这个破片！
剥开战争的皮，就是尼森大叔的拯救行动。母爱伟大
如果说女主坚持执行任务，我敬她是个军人，如果她一开始就选择摧毁，我会认为她富有人道主义，但是她这样的精致的利己主义，我看着真的极度反感
印象最深刻的是结冰的海面下封冻了无数的尸体， 这一幕太震撼了
开阔的视野，主角都开了挂一样没被直升机扫射打中……最大的硬伤就是：女主脑回路有问题。
冰天雪地的现代战争，迫不得已的终极武器，不能不让人想到现在的俄乌战争……但是故事真是烂，白瞎了北欧的一片好风光……
要命…这也太烂了吧 辛苦女主配合导演硬凑这90来分钟
女主很漂亮。
两位女主的逆天大长腿太好看了，真是养眼。
光是女主角的颜值身材，就值五星了。何况还有漏点。
220222@ btnull 有钱人的世界确实不懂
末日题材却没有具体的核心目标，前面似乎是科幻冒险，最后却变成个体对抗「环境」/「制度」，只感受来自创作者的泄愤情绪，显得糊里糊涂又无济于事。
大数据电影，剧本烂到不行。不过冰原上滑行的几个镜头还挺好看的。
这个逻辑实在没法说通，飞机一大堆，随便就送过去了。找几个人步行去送生化武器，什么鬼。
剧情老套没有逻辑，低配《寄生虫》，有几处画面和配乐挺阴间的，有种《黑暗面》的感觉，单纯就当教育片看啰，告诉我们要远离来历不明的年轻女性
近五年都不会再有演技这么垮的女主了吧大概。
优秀的摄影配上冰面行军，宛如冷酷版的journey，虽然剧情不行，但整体超预期
国外夜里出门带枪的重要性，家里有枪的重要性。
5分 摄影和末世的氛围感渲染还不错 但是这个剧本和配乐确实有点拖后腿
-my landlord
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