Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
这不像是电影。更像是创作者们合作的一个展示作品，为了冲奥去的。小K秀表演，摄影秀构图，后期秀调的滤镜，服装师更不谈了。唯独导演，没平衡好这一切。也不全怪导演，剧本本来也不够。
GA是位伟大的球员，那个真正把family and loyalty贯彻一生的男人。天赋不会给你刀刻般的肌肉，但奋斗会，希望扬尼斯继续追逐伟大。
GA是位伟大的球员，那个真正把family and loyalty贯彻一生的男人。天赋不会给你刀刻般的肌肉，但奋斗会，希望扬尼斯继续追逐伟大。
选角气质与真人不符，本来期待是燃的，结果是有家庭路线的
节奏有点慢，剧情没有像传统体育励志类电影那么热血沸腾，但是整体还是不错的，尤其是本身根据现实故事演绎，为什么美国总能发掘到这样的故事，确确实实在很大程度上体现了美国梦的精髓，取其精华去其糟粕，美利坚能持续称霸这么多年，确实在人才吸引上有着独特的价值观，值得学习
科幻逻辑基本停留在“网大”水准，谈不上自洽但还看得过去。意外的是有几场文戏挺不错，加上喜剧效果尚可，几位演员之间也有化学反应，106分钟时长看下来基本满足预期。个人很喜欢“爱自己”这个内核之一。
就是个套了层软科幻外衣的亲情片。对，我不说硬科幻，看下来觉得时间线的设定已经太过随心所欲 | 雷诺兹逃不脱话痨形象了，想念他那被封上嘴的死侍
这部传记拍的完全没体现字母哥的强…他哥反倒呈现的很厉害。就感觉莫名其妙的就被选上了…
个人觉得这种体育传记影片带有先天优势，更励志更感人，只要故事好，起点就比很多影片要高。影片里有三个片段感动我了：1. 字母哥跟耐克女代表谈话时，那段经历还是有点感人的；2. 再就是选秀的时刻也有些感人；3. 倒数9分钟的发言又感动到我。字母哥的父母妥妥的优秀父母，凭借强大的遗传基因，一门五杰的篮球运动员，当然最出色的还是字母哥。另外，字母哥一家也要感谢乔尔戈斯.帕努和阿里克斯.萨拉特这两个经纪人，绝对是他们家的贵人。影片质量不错，推荐观看，我给4星8.3分！
绿灯侠拿着牌王的拐棍、开飞机穿越时空寻找卡魔拉，结果找着个辛苦模仿死侍本人的小屁孩，再携手绿巨人拯救地球；亲情挺感人，演员都可爱，动作场面也还行，但这全方面反科学的科幻呈现，看着有点难受
小贱贱可以啊，不仅揍了你老爸，居然还拿你爹的老二开玩笑
肖恩利维盘活爆米花套路玩新花样大爽片再+1，全程没心思去找bug，小男孩是亮点，父亲大人小孩三人组对话大概也是中年主创们对家庭和对过去的自己敞开心扉吧还有点小感动，肖恩的片看来都离不开夹带星战私货了又是light saber又是dark trooper的哈哈哈
故事很励志 拍的一般 没有很好地刻画遭受到的歧视以及困境 不过入选NBA就改变了全家的命运 这点还是欣慰的
剧情上不如 必胜球探 但胜在扬尼斯的真实故事 励志、家庭、努力 缺一不可的传奇故事
恭喜小k喜提奥斯卡提名 不过这片儿对于我来说太温吞吞了 配乐倒是很有意思
家庭第一。想到父亲。拼尽全力。想到了自己小的时候，一直在做错误的决定，如果能听话就不会是现在的自己。 就像片中所说，人在小的时候看不清未来，父母会帮你看清未来。
全剧都在等大卫斯特恩说出： With the 15 pick of 2013 NBA draft，The Milwaukee Bulks select Giannis Antetokounmpo
把控资源、制作话语权的Ryan Reynolds依然作为中生里（大概）心甘情愿躺平舒适区的唯一，继续炮制自己熟悉、顾不得别人喜欢与否的项目。很认同有些先期评价提到的电影与一些早期“寓教于乐”向的家庭类科幻电影的比照，与其说这是个真的要试着成为什么的科幻片，不如说是得以允许家长在周五夜大胆放手将平板/电视交给孩子、插入更多关于成长启示的睡前故事。依然很“心烦”Ryan近年来愈发密集的碎嘴子角色（其余演员齐齐加持也没用），但小朋友演出有惊喜。
建議直接看片尾 10 分鐘，馬克·魯法洛的表演是全片亮點
突然就进了NBA有点突兀，非法移民靠自己的逆袭，就看家庭篇的温情吧。父亲没看到儿子最辉煌的时刻有些泪目，永远以另一种方式关注
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