The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
很枯燥 很没有表现力 有点故作玄虚
图一乐可以看看
...
五，哥哥的自私与传统
剧情有点老套，看起来倒是轻松无负担开开心心吃爆米花。
故事紧接第一部，但是主角变了。
总体来说还是第一部好看点，主要第一部这个利用丧尸当能源的设定开创太有意思了
丧尸片是现在所有类型片里最难推陈出新的，没有之一。但就是这样的情况下，我们还能看到，丧尸当燃油，活人当药剂，丧尸超能力这些奇葩设定，最后甚至一波脑电波共享整出个丧尸高科技，直接把末日求生玩儿成了赛博朋克，我直呼好家伙。
爱人→夫妻→炮友→兄弟→搭档→裂穴，挡不住的痒痒
点”
...
我觉得很差劲，不知道为啥要说cmbyn的翻版，男租客也是一股子普信男的样子……
看开场以为是年轻导演结果并不是。色彩很印度，像打翻颜料盒却又不突兀实在是阿三强项。以为是造梦看下去却没有回避种姓、阶级、崇洋亲西方的同时却保守，讽刺的小细节不少，相比完全西化的米拉奈尔那代印度导演有自己的坚守。
新一代僵尸女王诞生，原来俩只是烧焦了还没死啊
间谍战最后却是因为爱情，误解与不信任造成了终身的遗憾
我觉得很差劲，不知道为啥要说cmbyn的翻版，男租客也是一股子普信男的样子……
最牛逼的就是操控丧尸的女子，厉害(ง •̀_•́)ง最后还能活下来
2分钟长的伪长镜头很舒适，抛去一切刻板设定与刻奇剧情，电影的题眼应该就是“其他乐队成员呢？”“去世了”“那就大声点”
这是我看过最可怜憋屈的丧尸了🧟♂️丧尸：你高清你拿我当炮灰😂
请问电影标题后缀的“末日”和内容有关系吗……第一部的质量在普遍质量低下的丧尸片里还不错 全程忠于“生存恐怖”这一主题 然而这一部更像是“飓风营救” 丧尸不再是主角了 而且电影里面人人都拿丧尸寻乐了怎么说也该开始人类反攻了吧
Copyright © 2015-2023 All Rights Reserved
