Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
【3星半】年度R级类型电影大赏,直接被溶解掉下来的脸皮、半头骨半生状态游走、非法人体机械改造、不死身和堪比小丑回魂那样的开嘴尖牙巨口,世界观和脑洞眼界再一次被奇异猛烈地拓展了,谈不上喜欢但是真的有点东西。
区别于录像带系列的完整叙事的分段式故事。开头的神秘编号和挖眼珠营造了诡异气氛,下水道硫酸鼠人+守灵女孩遇诈尸+疯博士人机实验+反动派生物见光死炸弹+呼应开头的“看录像必死”诅咒。分段叙事前三个故事都还不错,气氛+叙事到位,吸血鬼炸弹那个设定没看懂。整体属于完成不错的B级片
这个系列基本成了伪纪录恐怖片的归纳盒,最早几年由《鬼影实录》掀起的伪纪录恐怖片风潮早早落入了沉寂,这个系列却有能成为年货的潜质,成本低口味重的你就可劲造吧。 提莫·塔哈亚托再度施展了自己的极恶口味,可以的。
这风格,i了了。看到画面 我退出重新确认了一下文件大小,确实一个多GB
印尼拍的3最好 剩下的粗制滥造 非要加个又闪又跳的录像滤镜太刻意了
主線反轉最沒意思,其他四個故事都還好,機械人類這部我總覺得有股日本風味出來kkk
第一个鼠人有点像异形,人们对陌生巨大生物的崇拜,第二个故事守灵的主要是个氛围感,但有点套路了,而且有点短,可以再多周旋一会,第三个最喜欢了,人体解剖加机械,让人想起电锯惊魂,可惜本人有点晕3d,第三个到最后有点小晕😵
没有看过前作,不过这也许是原作粉丝向的续集?但整体感受就是什么鬼玩意儿,一锅乱炖。
要多拍这种片子,有缺点,不完美,混乱但是贴近真正的自然秩序。
和3差不多质量,只有一个段落是好的(守灵),其他都不大行,印尼那个感觉过于自嗨到完全格格不入了
还可以,略逊前面几部。
What the fuck...印尼那个片段很适合做游戏,仅此而已。
执着于普利策的记者和赛博教授的这两段故事很精彩
就挺一般的,负责串起来几个短片的大主线尤其弱智。
真的为了贩卖恶心而为之,撒肉酱,视觉冲击,想想都没啥意思。
1下水道鼠人。2殡仪馆人尸变。3突袭研究人与机器结合的科学家4.缉毒小分队被邪教女队员利用录像带蛊惑后被杀害
算是系列回勇之作?既然叫自己錄像帶,那這部的質感終於對了,這才是錄像帶該有的樣子嘛,所以我感覺整體驚喜程度正好是正比下降的,第一個故事挺驚喜,第二個故事中規中矩,第三個開始有點扯,最後一個就是無趣,然後到了串起整個故事的核心就直接崩了。畢竟還是不同導演的作品,自然還是有好有壞。
几个故事都不错,有创意又cult,尤其机械姬那段,保持了系列一贯的水平
还是可以的,看改造人的那一段的时候正在吃一个烧得比较烂的锔饭,差点吃不下去
综合:6.5
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