With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
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嗯，够恶心，够十三点，连大boss都那么~~~十三点。哈莉真酷啊·~~~
不能因为自杀小队烂进地心就说x特遣队好看吧，真的毫无新意，被欺骗的英雄，黑心美国政府，用脚趾头能想到的结局，吃滚导风格的吹吹就行，要这就拯救dc，dc得他妈多衰
哈利奎恩，神奇女侠，惊奇队长并称世界最强女人组合…
三星半
确实很搞笑！滚导在超级英雄电影这块应该算喜剧功力第一人。本片其实比《死侍》更夸张，更疯狂。作为群戏，角色大都比较出彩，特别是鲨鱼人、小丑女、和平使者和扔彩条的哥们。结尾还是有点弱，关键在于片子很有趣，可真的是没讲出啥东西来，这点上反而不如《死侍》。
这么多老鼠，说不定未来能看到真鼠版《料理鼠王》。与上一部比，阿耶版前头的笔墨全在介绍人物，最后你可能也就记住了哈莉，而这部每个主要角色都很均匀，角色的塑造点到为止，都蛮有记忆点的，古恩还是蛮有能力，战斗场面升级不少，爽快不少，也有不少喜欢的镜头，R级确实玩得很high，叙事中间有点问题，有时候蛮拖沓的，但也说不定这是今年最好的一部漫改作品了，滚导就继续跟着这样的DC玩吧。
看得太爽了！没有看过前一部，但光是这一部就知道Harley Quinn为啥这么受欢迎了，美艳疯癫，战斗值慢歌！血浆美学又加一点逗比，比如一伙人把自由军误杀光的片段，Bloodspot和Peacemaker互相较劲，笑傻了。大鲨鱼和小老鼠，一大一小都超级萌！
令人不适的膨胀表达欲 无法理解的集体高潮 恶趣味之巢 一星敬holder
够飒够血腥够搞笑，当然，掺了点温馨更到位。小丑女其实算起来是酱油女罢
喜欢这种风格啊啊啊啊，侥幸来得突然，死亡莫名其妙，血腥与恶趣味溢满一地，爽死！
一边起鸡皮疙瘩 一边又煽情落泪 又恶心又唯美
3.和平使者这个角色真的很美国哈哈哈“为了和平，杀多少人都可以”。
看着一股银护味儿结果果然是银护导演导的！耗子蛮可爱的。但无论怎么说这个系列最吸睛的还是Harley，她路过的地方都会开出花。
1.再也无法直视派大星 2.人类是时候把地球还给老鼠了。PS：结尾真是对人类当下排外主义困境的最好诠释
极尽可能的添加趣味，第一口甜甜的还不错，一口口的吃下去就吐了。玩点林中小屋的梗也是审美有限的征兆...
R.I.P. to that absolutely beautiful monster between your legs,
What's the point？
甚至跳出超级英雄的迪士尼理想主义限制，赋予了残酷的现实生活主义色彩。
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