剧情介绍

  Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves.
  Quirt recovering under the care of the two women (from left to right: Rich, Russell, and Wayne)
  Days later, when Quirt regains consciousness, Penny patiently explains the family's belief in non-violence. Three weeks later, Laredo Stevens (Bruce Cabot) and Hondo Jeffries (Louis Faust) ride into town looking for Quirt. When Penny's younger brother Johnny (Stephen Grant) rushes home to inform Quirt of his visitors, Quirt quickly prepares to flee. Penny, now smitten with Quirt, offers to run off with him. At the sound of approaching horses, Quirt grabs his gun and discovers that it has been emptied. Training his gun on the doorway, Quirt calmly greets Hondo and Laredo. Thinking that Quirt has the upper hand, Laredo offers to buy his claim. When Quirt sets the price at $20,000, Laredo hands over $5,000 in gold and challenges him to come for the balance when he is able – if he has the nerve.
  Afterward, Quirt saddles his horse, but when Penny begs him to stay, he changes his mind. Later, Quirt learns that cantankerous rancher Frederick Carson (Paul Hurst) has dammed up the stream that runs through the valley, thus draining the Worths' irrigation ditches. Quirt intimidates Carson into opening the dam.
  One Sunday, Penny asks Quirt to join the family for a ride. Before they leave, Marshal Wistful McClintock (Harry Carey) comes to question Quirt about a stagecoach robbery. The family swears that Quirt was with them at the time. The marshal then asks Quirt why he resigned as Wyatt Earp's deputy, sold his ranch and crossed over to the wrong side of the law soon after cattleman Walt Ennis was gunned down in a saloon brawl. When Quirt refuses to answer, the marshal leaves. Penny then begs Quirt to steer clear of Laredo, and he acquiesces because of his love for her.
  As Quirt and the Worths ride to the Quaker gathering, Quirt's erstwhile sidekick, Randy McCall (Lee Dixon), tags along. Randy tells Quirt that Laredo plans to rustle a herd of cattle and suggests that they then steal the herd from Laredo and let him take the blame. Mr. Worth gives Quirt a Bible for ending the feud with Carson. Fearing that he will never be able to live up to Penny's expectations, Quirt abruptly leaves with Randy.
  Quirt and Randy steal the herd from the original rustlers. They then celebrate with showgirls Lila Neal (Joan Barton) and Christine Taylor (Rosemary Bertrand). When Lila, sensing a change in her old flame, teases Quirt about his Bible, Quirt becomes angry and rides back to the Worth farm. Overjoyed, Penny throws her arms around him, just as the marshal arrives to question Quirt about the rustling. Quirt states that Lila can provide him with an alibi. Penny is hurt that Quirt was with his old flame, who she heard him talk about in his delirium, thinking Quirt prefers Lila's fair hair. Quirt realizes the depth of his feelings for Penny, and they kiss hungrily in the barn, while the camera fades.
  The marshal warns Quirt that he is the wrong man for Penny. Quirt decides to propose to her anyway. Instead of replying, Penny invites Quirt to join her picking blackberries. Quirt answers Penny's questions about his early life. Kindly Walt Ennis raised him after his parents were massacred by Indians. Then Ennis was murdered.
  Quirt and Penny are ambushed and chased by Laredo and Hondo on their way home. Their wagon plunges over a cliff into the river, causing Penny to develop a dangerous fever. When the doctor informs Quirt that there is no hope for her, Quirt straps on his pistol and rides into town to exact revenge. After Quirt leaves, Penny's fever suddenly breaks.
  In town, Quirt sends Bradley to tell Laredo and Hondo he is waiting for them in the street. Penny and her family arrive. She gets Quirt to surrender his gun to her. As Laredo and Hondo draw their guns, Marshal McClintock shoots them both. Quirt rides off in the wagon with Penny. The marshal picks up Quirt's discarded weapon. Bradley comments that Quirt may need the weapon, to which the marshal says, "Only a man who carries a gun ever needs one." And, the film fades to black.

评论:

  • 卞夏柳 2小时前 :

    救赎题材,拍得很克制,一切点到为止,略闷。

  • 斋弘新 7小时前 :

    身体,灵魂,自我折磨(内疚、苦行、救赎...),以及美国人的身份和对布列松的热爱:施拉德总在书写具有相似度的人物。美国先生几乎要立刻掌握了最高财富,在一个后911(居然在20周年的时候上映)、后伊拉克的时代,美国人将投入多少筹码到自己的国家?又或是伤害自己作为向国家的报复,酒店或许只是自我流放之地,获得救赎的概率微乎其微,去除了上一部的那些宗教因素,宗教之外的症结在哪?在最后,救赎只会以爱的形式出现,隔着监狱的两只手,在静态平面中身体在连续运动中暂停,这《创世纪》一般的姿势将某种自我意识神话化,试图集中所有唤起一些力量。在此之前的人物只是不会带来浸入感的空的容器,当然也是一种“布列松式的紧缩”—已经没人像这样拍电影了—如艾萨克工整清晰、纪律严明的手写文字,看上去没什么稀奇的也看似已经过时了。

  • 寒馨 0小时前 :

    nonononono除了监狱里的几个镜头和奥斯卡伊萨克 这部电影浪费了我宝贵的两个小时

  • 书娜兰 5小时前 :

    3.5/节奏慢需要耐心。赌博只是业余爱好,施暴者一系列创伤后应激障碍才是主要。

  • 夷远悦 6小时前 :

    个人层面对施虐行为的救赎,国家层面对关塔那摩的反思,还赌上了一个年轻人的前途(输了)。女主的戏份有点莫名其妙。有点真诚的悔罪书,艺术性不太够的电影。

  • 廉友灵 6小时前 :

    看完才明白为什么被各美国杂志评选成年度优秀电影之一,典型的“USA”式电影,外人感受不会那么深,再加上剧情冲突较弱,观众情绪无法带入,也就当作了解了一件事吧,今年奥斯卡能有这片一席之地。

  • 回子轩 6小时前 :

    不过有一说一,威廉达福又摆了一个全新角色在我面前,这大叔戏路真的好——————宽。瑞思拜。

  • 凌璐 1小时前 :

    奥斯卡太辣太帅了,剧情比较平淡,但是结局还不错

  • 卫俊辰 4小时前 :

    一个比较好的题材被导演和编剧毁得只剩形式不见高潮与转折 旧时的伤痛没说好 打扑克也没讲到点子上 两相不连贯 结果平淡得有如催眠

  • 冯乐邦 6小时前 :

    这电影的配乐看似和算牌不搭,却又带来一种恰到好处的美与伤感

  • 卫擎哲 4小时前 :

    和导演之前几部片子一脉相承,charlie two chins那段乳华了妈的

  • 冀秀娟 2小时前 :

    5.0分,叙事方式以及文本人设的枯燥导致观影感受很无趣。应该有更好的呈现方式。

  • 公俊晤 1小时前 :

    因为就像他自己也一再强调的,赌博只是打发时间的方式,是手段,不是目的。就像金钱、荣誉和另一位选手高呼的“America”都从来不是目的。重要的,是成为人,是过日子,是重拾爱,是和罪恶的一切搏斗,去寻找救赎和审判罪行。

  • 方远航 1小时前 :

    马马虎虎,但又有出彩的地方,算不上不好,女主和朱丹有的表情神似

  • 卫家丁 7小时前 :

    +0.5。自己都救不活的时候就别想去救别人了…(有联想到布列松

  • 支晓莉 8小时前 :

    配乐是真好听

  • 左丘锐智 0小时前 :

    威尼斯电影节参赛电影 男一颜值相当能打(*^ω^*) 也是支撑看完本作的最最重要的力量k来源٩۹(๑•̀ω•́ ๑)۶

  • 云漫 0小时前 :

    让我想到了福柯的训诫与惩罚,但文艺性不如拉斯冯提尔

  • 容宛秋 4小时前 :

    加害者与受害者一体的创伤后遗症呈现,可是真的好枯燥好无聊。

  • 振稷 3小时前 :

    赎罪的本质是悔恨,而沉浸在计算里的是麻痹,到最后,只有在挣扎着以为原谅自己的一瞬,真正的原谅才刚刚开始。如何克服罪恶的过去,如何击败路上潜伏的恶魔,或许爱很重要,但只有死亡会终结一切。

加载中...

Copyright © 2015-2023 All Rights Reserved