Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
很好看呢～每个人的戏份都照顾到了，最后也大团圆结局～篮球虽然不太懂，但觉得战术设计还有情节都基本合理没啥毛病～最后灰太狼问喜羊羊“咱们认识多长时间了”喜羊羊回答“五千多集了”，有点好哭啊～
还是和在虎扑之前刷了那么多相关小视频之后建立起的预期不太一样，就从画风到内容的填充还是略显低幼，当然篮球的部分还是蛮专业看得也挺过瘾的。
电影整体上还不错，《绝杀慕尼黑》同款结局。
孩子想看的就陪了。这部片简直是篮球梗大集合，通篇能看到致敬灌篮高手+nba。1.喜羊羊扣篮，灰太狼传球后摊开手不看定格动画致敬詹韦连线；2.“问题球员“因为打架被禁赛了；3.一段热血剧情后响起了灌篮高手的前奏，结果声出来是另一首歌；4，【教练，我想打篮球】从第一个slamdunk元素出来之后我就在猜啥时候出这句台词；5.流川虎面对双人包夹从容换手拉杆上篮；6.落后山王老虎20分，羊队教练：“难道只有我一个人觉得比赛还有获胜的机会吗”；7.喜羊羊指责队友灰太狼说“你来之前，我们就没输过”。除此之外，制作还比较精良，不过这么多【致敬】，加上简单易猜的反转剧情再加上大IP加持，儿童电影的钱也太好挣了。
子供向，画风花里胡哨，反而一定程度上遮蔽了单纯的讲故事
虽然说剧情上发展得有点快，感觉很突兀，不过总体上感觉很欢乐，很激动，动人心弦~算是一部比较优秀的电影。我很喜欢。
第一部电影的时候我还在上小学，现在已经是讨厌的大人了啊。
和发小一起说说笑笑还比较好看，一个人看就还是有些无聊了。
剧情概要:一个女律师忽然患有阿尔海默症。逐渐变得痴呆,与父亲相互依赖的故事
电影院看的
2022.4.17 NB
缺点
带儿子看的，自己仿佛回到了小时候看灌篮高手的时光，依然是那么燃。
回表这个细节做剧情反转 真的很棒
篮球赛中多种特效的应用也增添了可看性与热血，0.5秒的反转也使全片达到了最高燃点。
电影院看的
挺热血的，确实感觉形象变了，原来这不是跨年篇吗
我一个奔30的社畜在中间教练点歌那里差点哭出来了
喜羊羊美羊羊懒羊羊沸羊羊慢羊羊软绵绵红太狼灰太狼 别看我只是一只羊~ 带着童年回忆 去看这部电影 他的进步 创新和年龄层的受众 他就值得被称赞
篮球赛中多种特效的应用也增添了可看性与热血，0.5秒的反转也使全片达到了最高燃点。
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