Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
爆裂，动作枪战暗杀，节奏紧凑，幸好给了安娜一个好结局，便宜那会背爱伦坡的小子了。为什么非要杀老头没看很明白
实在是太无聊了，真的很催眠，不倍速播放真的是看不下去。故事真的是一团糟，叙述混乱，打戏也很乏味，很老套，不过男女主打着打着就x上了是啥逻辑？！搞笑呢！最后的结局也是很仓促的就结束了，幸好巩皇没有接这个剧本，否则，真的是晚节不保！
突出李美琪可以理解。前面是标准的商业动作片套路也整得不错。。。但是故事你要编圆点啊，走点心啊……后期那是什么玩意啊？
过时与复古之间是当有一条清晰的界线的，在此基础上去探讨所谓西方后殖民时代的创伤与反思只能是彻底的牵强。
剧情什么的就随便看看好了！这片的角色演员年龄也是服了，女主40+，几位男性角色都是70+。有种把几十年甚至二十几年的动作演员拉出来随便拍了一部。
就最后MQ小时候拿枪复仇鞭尸这几十秒钟不错，其他的真的拍得不行。
如果没有太多空余时间，或者愿意来吐槽，那就不要看了。当然，李美琪居然神奇地将胸部搞大了一些，其实没有必要。
女主时强时弱,一碗鸡汤就可以逆天改命.气场不错.
除了爽片之外，Maggie Q总算演回最擅长的角色片，必须搞成个人品牌系列啊大姐！剧情不拖沓枪战动作各方面都上乘，至于设定深不深刻这么严肃你是认真的？片子也不乏一些小金句，比如，你无法改变你的出身，但可以改变去的方向——很多洼地类人是不明白这句话的。
Martin Campbell的作品還是有點質量，保證了節奏的不崩，中段開始敘事語焉不詳，角色動機模糊不清，究竟被誰追殺、為何追殺，人物沒頭沒腦亂殺人，全靠著一場場沒邏輯又臭又長的文戲給霸佔了！Maggie Q終究擺脫不了美豔女殺手的形象，可惜本片動作戲敷衍稀少，毫無亮點，沒能成為自己的John Wick，還要與70的Michael Keaton硬湊couple，毫無化學反應，只覺得噁心。廢戲太多，全靠卡司撐完。
这杀手跟尼玛逗你玩似的。这文戏跟尼玛强行植入似的。这剧本跟尼玛城乡结合部小文青强拗国际大文豪人设似的。总之，就是“不专业”，是那种连“爆米花流水线影视产品”都不敢或不屑于直面承认的不专业。21/09/03
七十多的蝙蝠侠vs四十多的杀手组织王牌女杀手。看完之后只明白了两件事:七十多岁的男人也可以能打，和四十多岁的女人也可以把自己锻炼的身材比以前更好。
Anna和Rembrandt是两个世界顶级刺客，并共享一段关于越南的神秘过去，多年来他们走遍全球，争夺热门合约。而在Anna尊敬的导师Moody被谋杀后，她必须和Rembrandt结盟，回到越南追踪凶手。
杀手有无人机，保全连个对讲耳麦都没有?现在什么年代了，面部识别也没有?
没有多少可圈可点之处，纯粹是为了看Magie Q，有意思的是如此俗套的戏路，竟然还能吸引“鸟人”来参演，难道也是为了美人而来？
这是神奇女侠吧，哪是公主，对付猛男如切菜，几招撂倒。
迈克尔基顿又老又丑，都不如老塞缪尔，可惜了magicQ
爆米花电影，父女杀手为不知道原因刺杀黑老大，顺便泡了保镖一哥的故事。
真是难看，动作戏是设计出来的，不是打出来的。
局长依旧稳
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