Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
中国功夫+十二生肖+唐人街+小黄人＝无法击败的神秘力量
故事单薄，没啥内容。差不多是个三星的普通电影。但是小黄人超级可爱加一星！
102/ 作为中国人在旧金山看这部还是奇妙体验的哈哈
轻松欢快的作品影院里小孩子居多笑得很开心。开篇邓紫棋中文歌太震惊了，片子里又是更多更密集的中国元素，很到位。中国城，针灸、功夫，气，十二生肖，动作设计打斗场面感觉比尚气更顺畅好看。也是不错的续作，Minions真的太太可爱了，联动妈的宇宙很精彩。看到有说龙作为反派不过审的太可笑了，生肖是被偷的，坏人用了龙的能力而已，按这标准圣主都是禁片了。当然国内的电影环境不过审也不稀奇。
哈哈哈哈哈哈哈哈最近看得最开心的电影！！！就是有点难听懂罢了
中国功夫居然有气功。
不是有免费的电影票我是不会来看的（但是还蛮好笑的哈哈哈
时长很友善，节奏也不拖沓，小小的格鲁真的太可爱了，虽然不是100分电影，但在7月4号那天，凉爽的影院中，给我带来的惬意放松快乐是真实的，这不就是看电影最享受的状态了吗~Bob真的太可爱了~然而居然遇到了更矮更胖的otto，别灰心Bob，你还是最可爱的因为你有熊熊~
爆米花电影看着简单又快乐。得知这片子原计划是20年暑假上映之后我忽然明白了为什么会那么多中国元素，那时世界还是很迎合中国市场的，毕竟19年底预测来年GDP会破6呢。而现在这么多中国元素的片子根本就没在中国上映，不过依旧席卷全球2亿票房，根本无所谓你这三年不开张的“全球最大票房市场”。就这样吧，大家都自己玩自己的了。 片子里的女功夫大师，原形应该是元秋（无影脚和狮吼功）同时还致敬了一些成龙动作搞笑元素（A计划）
剧情非常boring对中国元素的理解和30年前没有任何区别以及小黄人为什么总让我感觉非常油腻？？
中式元素都舔成这样了，但是什么都不懂就胡乱堆砌，邪典味都搞出来了。。（一粉顶十黑？）
可爱可爱！笑得很开心！没有想到蛮多的中国元素，以及Gru小时候好像企鹅人呀！
这各个地方出现过的各种配乐搞得我有点穿越了…
走进影院：怎么在播中文歌，进错场了吗？😎 好久没看电影笑的这么开心了！
短小精悍，全程卖萌，中国元素，热热闹闹，孩子还是会喜欢的。
十二生肖之萌宠 vs 猛兽🤭一开始以为是盗墓笔记，后面发现是唐人街探案😆小Gru好可爱！
狗狗眼卖萌直接给我送走了😭😭😭😭
全場爆笑，坐在前面的老伯尤其笑的歡，哈哈哈哈
电影业最近实在是有些萧条，想去影院看一部及格水平的电影都快成奢望了。
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