Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
上帝堕落成魔鬼这个点倒是挺新颖的 其他的一般
在48小时封闭期间，看看帅哥美女最合适，也足够了。
打斗和丧尸片一样烂，情节像超级英雄片一样扯，起码有个驱上帝的乐子，给个四星不过分吧
不错，有创意，不算浪费时间。后面好看，前面略没意义，我理解为导演水平有成长空间。周知，豆瓣恐怖片有6分已不错，个个带着逻辑看恐怖片，什么带喇叭阿、把嘴封起来阿，这么严谨带道德看啥电影娱乐呢，去学习阿
没啥新颖，唯一的亮点在于最后，神这边终于派出使者，一直没搞懂基督教这种驱魔，一直都是人和魔对抗，那你们这些神干嘛去了？所以还不如康斯坦丁这样的驱魔人，至少天使恶魔齐上阵。
这片可以啊！驱魔电影里少有的思路，上帝与魔鬼的对决。地狱使者进入上帝的前哨站接管人间
不是想象中的流水账爱情片，很多让人会心一笑的惊喜，男女主人设有层次，观影过程非常愉快，下班回家放松电影首推这部。
牛逼，这个创意无敌了，反向驱魔，恶魔驱神！导演能力还有剧本可以再打磨一下
把打工人的脸摁在地上磨蹭啊，从开篇男主叫女主shortcake已经可以report给HR了，我尼玛。
就，普普通通恐怖片，有几个突然出现的镜头符合我的口味
会有男人看这种电影吗？自愿的前提下。适合周末的小妞电影，看看肉体，仅此而已
本片每位演员都值得获得一年金嗓子喉宝免费额度！
故事是有感染力的，神父的愧疚跟不安展现得非常好。
牛逼在意想不到的概念上，框架烂了点，题材牛逼，反向驱魔肺活量大师，讽刺得好。
意外的还不错，台本还是蛮精彩的，职场小剧迷人之处都点到了
整体其实都还蛮好的 但最后的驱魔仪式 确实有点雷人..
其实电影剧情向而言我很喜欢 有别于其他 可是所有的情节和驱魔都太无趣了 让人疯狂走神
合理解释教会里性侵幼童等各种邪恶事件的缘由。
惊喜啊！真的惊喜，很诚意的一部驱魔片，本来以为中规中矩，结尾舒适没想到，但是是情理之中，狡猾的魔鬼～～～ 男主演演的真不错惹。3.5
很一般的办公室恋情。男主爹演得不错。女主身高差点颜值也差。
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