With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
虽然电影情节不复杂，有些地方脱离逻辑，但是刚学会滑冰的我看到他们滑冰穿越还是很欣喜的。和平！反战！
总是混合突然爆发的情感，大吵大闹，大哭大笑。一份这么重要的任务，选这么几个垃圾。扯淡及了
虎墩太可爱了吧，笑点挺多，中国动画会越来越好
怎么分数这么低，虽然我也没想给高分，看来网友还是太理性了。
剧情就不知所畏了。整部电影的氛围渲染的很好。一个个的同伴相继因为各种原因死亡，为了见女儿，而支撑着女主的强大意志力到达终点。结果一切都是骗局。随便看看吧。无功无过。
三星给特效和冰面场景和武器，剧情逻辑乱七八糟
什么垃圾剧情 都是故弄玄虚莫名其妙 开始恐怖分子枪杀平民为啥不杀他俩？知道是病毒了为什么有女儿的女主还要坚持完成任务？知道女儿没了又想要毁灭病毒了？脑残编剧啊！
国产动画的细节还算不错。故事有点单薄。能一眼看到头。过年期间，是亲子共享的不错选择。
不好意思说看过，
有被情感线和氛围感深深打动到，表演和效果也完美呈现。至于背景交代不清就不必苛责了，这不正是瑞典电影的特色嘛。
除了一些战斗喝滑冰场景……其他都好尴尬……
不过，小孩子看的挺高兴，动作表情都做的挺细，这种低成本动画，也能做到这份上，说明动画片要爆就是故事了。都达到了相当可以的水准。
啊……这……我想了好久，也不知道这片子有任何亮点……唯一的亮点算是还没开评分……之前还嫌弃人家拼盘不开，现在……em，不过这片子怕是也要赔的底掉啊，给四星吧，算是给国产动画电影加油吧……那，还有什么要说的呢，片尾曲还没完……嗯，完了，
普罗米修斯女主主演，演技依旧可圈可点，就是剧本剧情过于单薄平淡，总之就是爽点太少了。
即有点莫名其妙 又坚持看完了，大概是因为没咋看过北欧电影吧
这女人自私自利,明知病毒会毁灭人类,为了见到自己家人，宁可杀死队友也要把病毒送过去毁灭人类，发现女儿不在基地,又想毁灭病毒怕女儿感染？从不考虑其他人！最后活下来的男人反倒还算伟大无私一些,一直都想毁灭病毒,哪怕自己已经安全了还冒着生命危险去帮这个自私的女人！
别说和雄狮少年比，和熊出没大电影比都差点儿。
不理解和不知道为什么的地方，那个上尉怎么到处都在？被枪打了也在是为什么？
感觉是逻辑好不通，但滑冰送病毒这个点子有点独特的，整个基调都是萧杀 ，搞了半天要毁掉，也是醉了
节奏挺快，没什么槽点，后面大boss地方还是挺反传统的笑死我了
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