Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
导演想拍一些优质的艺术性的镜头然而没那个能力。走剧情的镜头也经常上下文连的莫名其妙。女主穿旗袍破案选择性解剖。。你穿个马裤不方便的多？女主都摸到坏蛋老巢了村民没一个跟着，拜托你们娃都在这呢一点都不着急吗？所有的“反转”都可以猜到……无趣。
同家人一起看的，一边看一边擦眼泪，落角点在人性，还是值的一看的电影，挺喜欢女主的。
被抖音推了很多次，有些好奇就看了，但看完却没有什么特别的感觉。总是要给事情一个交代罢了。
全程高燃，画面顶尖，不过依然掩盖不住毫无创意的剧情
就还是说人性的那一套吧，布景还是可以的，女主是有点像熊黛林
场景和色调相当出色，演员也算上乘，在小制作里实属优秀
打斗场面依旧精彩，热血青春看得确实让人热血沸腾，动画表现依旧十分不错，可惜碰上了个夹带私货的无良作者。
有被无语到，家人都被杀，不肯投靠熟悉的村人跑来投靠女主，怕是有社交牛逼症
说实在，影片拍得还算可以，剧情也算合理。估计成本不高，没有大牌明星，要鼓励这种电影。
这个第二部已经不止是网大了，成功登陆院线成为大电影。结尾很感人，弟弟是怪胎变成了怪物，和第一部中的怪物不同，有情感，有姐姐和家人。王真儿演的好，主要还是剧本优秀。
剧情硬伤真的挺多的，但是不影响王真儿的演技，给个及格分吧
向前 迈进
害挺克，而且我竟然看哭了，而且女主角太好看了
ps：配乐差意思，不说跟无限列车比，连上一部都不如。
放到国产恐怖片这个范畴里，属于情节完整，不悬浮不装神弄鬼，未来可期的了。
快进，尤其是水猴子被抓之后，答案揭晓的过程忍不住流泪
艺术就是派大星！视听盛宴，的哇三句话不离焦冻萌死了，下一秒镜头切到霍很满足（大喜。少年意气风发无所畏惧，一腔热血走天下，多么纯粹美好，梦可以做美一点呀。
两星半。比前一部大有进步，叙事大体可以接受，技术方面提升明显，灯光、美术、摄影、调度、特效都基本在线，像模像样，情节上各种小bug多了点，普通话尤其令人出戏
作画牛的，所以杀了十二个人是什么情况，最后绿谷除非套复活甲不然怎么看都活不了
要不是车祸，男主连一个抱着箱子的小偷都抓不住。 这剧情厉害，顶级战力带着其他学生去找炸弹、帮路人撤退；三个学生去敌人老巢打群架。 男主为啥不先打掉墙上激光枪，本来爬起来都难，结果爆发还打赢了敌人的反弹？ 最后那爆发很像一拳超人，打得那么艰难最后一个敌人都没打死全部抓去监狱了。
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