Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
26分钟的时候真的哭得很惨……重新回到学校这段真的好可爱！！equlity！
很可爱的破案，救赎，青春片，有点动漫感觉。唯一美中不足是我的手机屏今晚彻底坏了，emo...
想想还是好残忍，真是“狠狠把我一夜之间变成了大人”，希望我们都像女主一样拥有逆社会时钟的勇气和决心！
受不了把刻板印象反复使用，加上女主的性格也太不讨喜了
我太喜欢看轻松的rom com了，拍得及格都值得我看看。没想到Angourie Rice演Rebel Wilson小时候没有任何违和感。Zoë最近的几个角色怎么都是这种高中时人见人爱，中年别别扭扭的？她长得很像高中的Queen Bee吗？没有这个感觉啊？这样的type casting还是第一次见。
青春电影还是歌舞青春好看，这个最开始我还以为是苹果手机的广告电影，女主年轻时的演员很可爱
很清新，也没啥太深刻的内涵，终于找到自己的定位和生活罢了，就是丢失了二十年的人生。看着很欢乐，舒服，Smallville的绿箭侠来打了个打酱油，演了个花瓶，身材颜值还在！
所以真的没人调查下那个“失误”吗。。。校园喜剧 小鸡电影 现在都拍不好了。。。
这个主角实在喜欢不起来，毫无魅力，美式校园剧现在也是老套的不行，前两天重温贱女孩都觉得还是挺好看
回答正确！
好欢乐的青春片。其实曾经我也以为考个好大学就是人生的终点，就像女主曾经相信成为舞会皇后就能得到完美人生。
挺喜歡這部的！故事還是美式校園老掉牙套路，但是女主的特殊經歷給電影加了不少喜劇元素，而且新舊觀念的碰撞也很有意思！好懷念以前哦。
还是很好笑的，小镇上的同学们长大了还是在小镇，
一看简介就感觉是对标2000年的romcom，美国人真的永远忘不掉高中，逃不开prom。但执行的不错，有些点还是触动到了我。爸爸妈妈的肯定怎么就不算呢，明明这些人才是最重要的。2022届的这批毕业生也塑造的很可爱。
2022年第47部：男主演技太差，人物性格转变太尴尬。
传递的信息其实真的很好，看到二十年后整体氛围的改变也让人觉得感动。
3.5星，在处理男主和自己父亲、母亲、兄弟的感情传达与和解的家庭剧情上有点过于缺失了，没有交代最后男主有没有去美术大学、也没有和母亲开诚布公，更没有梳理和兄弟的感情，篇幅太短这么多的人物关系塞不下。青春主题最喜欢说的友情和恋爱上倒是把起因经过结果都描述完整了。经历以上种种，最终男主迈向自洽的终点。男女主角的选角都很好呀，形象很青春很自然，一种柔软的青春感迎面而来，特别是青梅竹马的女主，苹果肌好可爱。话说这部戏的动漫版都是10多年前了，以前看过但是现在真的看懂了里面所有人物的心理动机、感情
ironic teen influencer
设定上一摔昏迷二十年后苏醒就很奇迹了，37岁的发福大妈身材，17岁的心智，一直想要完成的梦想，终归还是要面对现实，这种题材确实就很多年前的主流，如今再拍反倒很复古的感觉#电影 #重返毕业季
surfing camp里看的，女主口音瞬间梦回deadwood
Copyright © 2015-2023 All Rights Reserved
