In 1954 Vietnam, at the time of Diên Biên Phu, a French unit on patrol under the command of an inexperienced lieutenant is gradually depleted by Vietminh until only an ex-Wehrmacht Alsatian adjutant remains. He is to die, a title informs us, in Algeria in 1960. Semi-documentary in style, this is an effectively low-key appraisal of the difficult choices with which war confronts its soldiers. As so often in Vietnam films the enemy is only glimpsed from a distance, the camera remaining a disembodied observer among the group. Bertrand Tavernier acted as co-writer on the film.
“I can believe enough for both of us” 听到这句话我莫名其妙就开始泪如雨下
太清纯了。。全场最佳给黑人小哥,真的很帅🧎♀️
很清水很温馨很想一直看下去
没想到Marike更攻,Jamie就像个听话的狗勾
this is what you get for falling in love with a cult girl I guess
好难看好无趣好荒唐。受够了用宗教烘托禁欲感的同性恋电影,没冲突都能给你编个冲突没爱也能硬给你制造一段爱出来,荒诞又敷衍,难看至极。(如果显示生活中有这样的故事,那我只能说没脑的人生活活该完蛋)
在电影院厕所隔间里,在浴池里,在汽车的后座里,每一个场合,每一次的性张力拉满,但是更让我感动的是“I love you”那一句,充满了对此段感情的遗憾和当时对环境的无奈。除了这些,还有两人的手不经意间的触碰,暧昧又带着些克制;开放式的结局,给观众多了些想象的选择。
情节和叙事都没什么新意,故事的宗教背景和女主之一的信仰在无神论者眼里难以理解,好在颜值够高,部分场景性张力十足。一年能看到这样一两部姬片挺不错的。
虽然没有大改电视里插播做饭的流程 但是故事意外的有点沉重和小深刻 当然是建立在一些角色动机的改动上就是
''I know it's could be confusing at your age.''
宗教的压抑与爱情的狂烈互为左右,眼神的流离,手指的试探,一点点的把观众的情绪推向高潮,片子节奏很好,舒缓有致,看下来意趣十足
出人意料的好,真诚且流畅。席导说拍爱情故事是“when you remember what it was like to fall in love, you remember the steps that led you to that kiss” ,这部电影正是因为拍出了这些两人之间互相靠近的 “Steps”而显得格外动人(就是这个教老让我觉得像是个洗脑组织,很难接受这个宗教差异的背景)
比起剧版的细腻和治愈,感觉差了那么点意思,但能看到男男生活流的种种切面,还是会有暖流在心中穿过。
这才是真正的禁忌之恋…… 看完后千言万语汇成一句话: 都给我学着点Jamie和她的家人!!! (对不起最近感叹号太多但,哎算了)
The tension is phenomena, the plot reminds me of disobedience.
let's take the long way
做饭的戏份有点儿少。再感慨一次,男主父母也太好了哎。
但是结局有被无语到。。。
let's take the long way
哪里都好,就是这个结局苦死了,越看越像违命前传(不是/捂脸哭哭…两个人的火花和性张力都快呲我脸上了,演得真好
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