John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
巨魔之母为了人类安全和自己孩子越来越远。
希尔达系列的动画太治愈我了，这一部是妈妈和孩子们的双向奔向，巨魔的形象越看越可爱。
7分 结尾的配乐让我内心触动了一阵 真好呀
我的早餐下饭剧暂时全部结束啦。没有带任何预设去看了这部电影，真心希望人类可以和所有生命好好相处，不要常常臆想自己被伤害的桥段。感谢希尔达！人类和巨魔的对比刻画得非常好，能无限引起人的思考。在任何一段关系中，大概真得都需要一些信任？或者需要更多的爱？有时候甚至需要一些奉献？
内核是母爱和自然万物的温暖童话故事。要坚强、要善良、要记得妈妈一直都在身边。
（and 围墙？巨人？）
既欣喜有有些淡淡的忧伤。欣喜于填了第二季的坑，忧伤于制作方没有充分利用前两季的元素。但欣喜的程度更多一些。莫名涌上一种事已至此的担心。
母爱，随时可以坐起来。在地面上，看不到地下的事。
没看过前两季动画，直接找来这部电影看，居然还能看懂...虽然但是，这很反向巨人，那个大温情结局...乏善可陈
最后二十分钟真的太好了，母爱的呼唤还能这么写，没有任何意外的情节却非常打动人，功力太强了
之前看评分还以为剧场版拍得很烂 嚯！看完电影才发现是一堆没看过一二季的人在打低分
毕竟是低龄向，主线剧情完结篇还是普普通通的结束了。
呜呜，妈妈❤️。其实感觉内容够不上电影的体量，结局也……但是无论如何，感动地哭死我了。
一如既往的好看，电影联系上第二季结尾，最后解释了为什么trolls一直向往城市的原因，原来是有个神话母亲躺在城市下面，而且她不忍伤害人类，以及母爱等告诉了我们要善良、接纳与我们不同的对方，有点类似于现实社会如何对待不同族裔的启发；而且每个角色的发展都很到位，等第三季出来后我也舍不得和这个系列告别，上一次让我有如此感受的动画片还是steven universe
我们通常对自己不了解的事物存有刻板印象，误解了那些心怀善意的陌生人。这部动画的另一主旨是爱啊，爱让彼此靠近，希尔达和巨人母亲，巴巴和家人，学生们和巨魔，巨魔们对他们的巨魔母亲，巨魔母亲对于人类，爱真的能化解纷争
一直很喜欢希尔达里讲妈妈的部分，总算抽出一整个篇章来讲，很感动～
幸运的第二季看完就能来看剧场版 我真的有为剧场版真真切切掉过眼泪/这剧情有四点很好 1是希尔达传递了一个 人类并不是生来就应该是万物主宰者的思想 我们跟巨怪没有差别 都只是平凡的地球生物 为自己的生存奋斗 并且现在来看 我们的确像强盗一样攻占了小动物的家园 2是母爱 希尔达妈妈在见不到孩子时候的绝望 无助的坐在地上哭 和去拯救孩子过程中的无畏 一个人面对一群巨怪 真的很感人 3是颠覆巨怪的印象 善恶的标准不能单一判断 就像人类也分好人坏人 至少在某些时刻 4是 最后巨怪们身上慢慢长出漂亮的花草 他们享受的神态 真的让我看起来很放松 很有安全感 /我喜欢希尔达的画风 它的立意 喜欢女主勇敢善良众生平等的态度 喜欢它的创意 喜欢那些未知生物像我们一样按部就班的活着 我想这就是我喜爱动画的原因
希望hilda永远别长大，期待更多她的历险故事。
看到结局泪目了
人类可以成为自然界最顶端的生物，但永远不能无节制的支配自然界，永远敬畏自然呐…
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