Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
欧兹这部10周年剧场版可谓是伤透了所有粉丝的心，大家是来看糖的，不是来吃刀子的，不容易盼着安库重新复活，结果映司却死了，最让粉丝无法忍受的是，短短60分钟里，有50分钟都是人造贪欲者哥达，控制着映司的身体，还学他的口吻迎接安库的回归，映司的戏份更是少的可怜，就那么短短几分钟向众人告别，可以说整部剧场版都透露着赶工的痕迹，800年前的王为何离奇复活？四大贪欲者的回归就只是给王当个经验包吗？ 至于王的皮套不就是个缝合怪吗？好在还有永恒鸟，但这却无法挽回映司的离去。总的来说，这部全员回归的10周年剧场版，充满了遗憾，映司的离去，也为欧兹画上了句号。
真的是火野映司不断付出的一生，小女孩的线也圆上了，映司抓住了他想要挽救的生命。
入坑作 能看到全回归真的很开心 但剧本却让人恶心得想吐
特效：8
一般般，可能只是情怀，故事一般，说真的这故事真的有点草率，还是安库对着映司说“你要抓住的人已经不是我了”这结局才是最好的，真的爆哭。皮套很好很帅，Birth也终于补上了新形态，超级结婚鸟真的帅爆好不好。
我真服了 不会拍别拍好不好从来没有看完剧场版这么生气过 卖情怀都不会卖 结局写死一个是必走流程吗 一次是感动 这次完全硬凑 要不然第一部太好 谁去看你这种没预算的剧场版 真的太生气了！！！ 为了卖玩具非得把大家的情怀拉出来恶心一下真的没必要！！！
什么结婚鸟啊 o(╥﹏╥)o
哭傻了o(╥﹏╥)o
第一部追更的假面骑士，情怀无价。给个圆满结局这么难么？不过假面骑士么，本来就是悲剧的战士。
时长短，经费少，故事弱，大纲很不错，拍出来的效果就很差，唯一感动的是原班人马的重聚
太赶了啊，全片就是为了给每个人一个结局的安排。假如能拍成一个小时以上我必爆哭。
太敷衍了，不写悲剧能死吗？高田里穗是越来越好看了
一颗星为了ankh，十周年让我看极限一换一，首先剧情上就不过关，800年前的王逼格也太拉了，前半小时映司的中之人一直是goda，夺舍夺得也太敷衍了，还有映司之死，不懂耶，ankh就不能付映司的身吗？非得搞一出悲情剧呗，是，你要走悲情剧你把剧本好好磨一磨啊，感觉把大家伙全叫过来就为了参加葬礼呗，就这么敷衍了事的10周年纪念作，东映你唬谁呢？我要是以后看见映司活过来的剧，看一部打一颗星。为欧兹感到不值得，为ankh感到不值得。映司这个角色虽然具有神性的特征，但神不一定要陨落，他可以一直开开心心的活着，去拯救他值得拯救的所有人。“亲者痛，仇者快”，这58分钟根本就不值得。
虽然太紧凑，但将清楚了这个故事的结尾。入坑作，希望有完美的结局。这就是了没有遗憾的退场的完美结局
两星情怀，一星剧情
怎么说呢 欧兹的起点在哪里 初心在何处 他跟其它骑士有什么不一样 想一想就觉得这结局挺好 愿望这东西 实现了就死日式故事
十年了，一个人的归来却换来了另一个人的离去
人造连组直接打戈达感觉根本没有表现出人造连组的实力，整部剧场版看下来感觉剧情还是半成品。
好不容易看到安库复活了，结果映司却死了！唉，扎心
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