Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
完全没怎么看过漫威系列竟然也看得很开心 （当然中间两三处其他观众在笑我就很懵...）特效好棒，中间穿越各种平行宇宙那里特别精彩，最后男女主煽情桥段虽然挺常见的但还是泪目了...
总感觉旺达在电视剧结尾的情感和电影最初的情感无法衔接上，所以无论演员们的演技多么精湛，都无法弥补这种不解和遗憾。
整体肯定是及格的，而且没有那种判死刑的雷点，不过不能细想，唉，只能说是生不逢时，前几周的eeaao同样是母爱（泛），这显得太鸡肋了
这部的优点就是文戏少，要么在追逐要么在打架，堆砌的奇观特效和变着花样的战斗设计很出彩，这样逻辑问题就少了很多，平行宇宙概念玩得一般，更像是游戏里完成任务似的穿越，剧情一条线，还是老一套漫威模式。有点承接what if的感觉，但是what if我就觉得很烂，没有亮点。
从蜘蛛侠3过来，发现奇异博士和王都记得spider man?? 那蜘蛛侠3演了个啥？？
故事背景发生在西景镇的事情之后，但真的就很有割裂感，就一本黑暗之书就变成恐怖片了？我不理解。旺达以后还能在漫威宇宙再就业么😭
😓有点失望，没有想象的精彩。
为什么每次感动我的都是美国队长啊 每个universe的“I can do this all day”都击中我。因为蜘蛛侠太差了以至于期待降低，感觉这部又行了，虽然好像也只是堆砌恐怖元素而已。
挺适合母亲节期间上映的，让大家看一下疯批母亲是怎么寻娃当妈的。另外建议九字男星把这个妆发造型半永久，帅多了。
4.5 这几年看过最好看的marvel片了 最后的僵尸奇异博士太帅了…. 不过形式上看到了传统恐怖片+《瞬息宇宙》
“I love you in every universe” 漫威的新浪漫，但最重要的还是看到了Wanda放下执念与自己和解，美强惨的Wanda希望只是暂时退隐，希望有一天能满血回归
漫威进步了，好好看好刺激呀！希望以后都按这个进步一部比一部好。
漫威电影宇宙第四阶段终于支棱起来的一部。逻辑合理，叙事流畅，在越来越复杂的角色背景中承接过去与未来，用恐怖片的手法呈现（比隔壁DC温子仁的海王处理得更好）。绯红女巫真不愧为欧米茄级别的变种人，无论惊奇队长还是至尊法师在她面前也只是个杂兵，最后也没有被打败而是被劝服。
旺达这个巫婆怎么能这么厉害(o^^o)
漫威是把co-star玩儿明白了，不能光一起干别人，还得互相干。
这个阶段的绯红女巫很多精神类的技能和桥段其实是凤凰女的，用在绯红女巫身上联合x教授估计是给x战警的版权回归给了融入世界观的机会和试水。
这部片看完直接对旺达好感度清零。。。
别抱太大希望 其实算是优良之作 谈不上优秀 但有我最爱的旺达 必须五星！！！ 希望漫威以后多来点旺达戏份！！！说点题外话 看漫威就是冲着蜘蛛侠 旺达 奇异博士 洛基看的 看其他漫威电影就是为了看懂这四个人物的剧情的
哈哈哈很開心，前面一直在吐槽劇情好隨便，說什麼來什麼，各種強行上🤣但看到後半部二郎神出現，突然開啟cult片模式，又是死屍又是鬼魂披風，好惡趣味好過癮哈哈哈，也管不了劇情硬不硬粗不粗糙了，反正對胃口很爽就是了！熙笑到嘎嘎聲
除了特效和创作自由外，全是空洞无灵魂的玩意…
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