With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
打戏杀戏真的挺精彩的，又爽又惊。女主真会长，像辛芷蕾、张雨绮，还有… 演的也很有意思，变态杀手的感觉。还有那个抖音网红，包揽全部笑点……但是剧情，em……加油吧。2星半
海报设计的不错，剧情上走的是“盲侠救女”的经典路子，人物上除了安志杰，女反派稍微可以，其它就泯然众人矣……
“盲”是个很好用但是又很常见、稍有不慎也会烂俗的立意点，前人的经典太多，无论是法国的《调音师》还是印度翻拍的《调音师》、韩国的《盲证》抑或中国版的《我是证人》、再如杜琪峰的《盲探》，都在这一点上塑造出了经典的人物和故事。相对而言，本片还是过于粗糙了，某些情节桥段也过于离谱了，但作为网大，似乎质量已然不错了，尤其是安志杰的功力还是很扎实，而女主杨杏也很有亮点。
原来维纳斯的断臂是希娜弄的…那新疆警察不错…反派女主可以演《魔女》续集…
打戏不错
剧情很燃，竟然还有穿越，超好看，超值，特别适合小朋友。国产动画电影越来越牛了！
很童趣温和的一部电影，即使是作为反派出现的那只狗，形象也是可爱类的，是难得的低龄儿童也适合观看的电影。
盲人打架再优化一点吧，感觉跟正常人打架没多大区别
对于网大来说，算是佳作。
打戏杀戏真的挺精彩的，又爽又惊。女主真会长，像辛芷蕾、张雨绮，还有… 演的也很有意思，变态杀手的感觉。还有那个抖音网红，包揽全部笑点……但是剧情，em……加油吧。2星半
看得出电影拍得比较辛苦，而且电影剧本虽然简单但也扎实，安志杰也保证了动作的观赏性。但是各种人物粉墨登场之后却显得表演有些用力过猛，生怕自己早期的创伤和内心的扭曲和阴暗不被人们觉察而都写在了脸上，甚至连沉默羔羊里的面罩都用上了，这部分实在让人感到有点尴尬。不过不管怎样，在甄子丹都渐渐老去的现在，安志杰能够有这样的创作还是令人有些期待的，希望属于他的黄金时代可以到来。
及其推荐，非常适合小朋友或者一家观看，老少皆宜，除了对汪星人有些黑化其他很好，剧情也很舒服，画面质量很高
最近好久能凑合看下来的，也许再这么下去以后这都啥好片子了。真的是……唉
都不算合格的爆米花电影 虽然画面看上去很有质感 灯光摄影剪辑都没有问题 但剧情实在bug 太多 又是主角开挂 剧情设置雷同过多 人物设置太浮夸 漫威人物上身的感觉 看了前面也猜到后面了
作为一部院线标准的网大，这部给7分都不为过，网大慢慢成长成真正的电影了。
虽然剧情、细节漏洞一堆，但打斗、枪战意外得还行！
夜魔侠and飓风营救啊...
动作戏枪战戏看起来好热闹，实际上假的离谱，狗屁不通，毫无逻辑，烂的程度没有词来形容。
设定可以，但是故事有BUG，女主表演加一星
李子雄又出来打酱油了，一会儿。安志杰还在认真打，挺帅的。女反派真的很暴走萝莉疯癫款，什么都不在意，我杀杀杀。女儿还是很坚强的，被富二代虐了一轮也没影响。
Copyright © 2015-2023 All Rights Reserved
