811 AD, a family, isolated in their home, deep in the woods a few days travel from Birka. They are poor. The hunting and fishing has been bad for some time, and the father, Joar, takes the desperate measure of going on a Viking raid. Joar does not return for a long time, and the family starts to fear he never will. Runa, the oldest daughter, takes over her fathers chores in his absence. She misses him dearly and nourishes a tender hope that he, once again, will return to them. But in her heart, somehow she knows, that the suffering of the family has just begun. There is something in the air, something in the water, the wind and in the soil. Runa is becoming aware of something vile, something dangerous out in the forest. One day when she is out hunting, she finds a bleeding man, a warrior, almost unconscious. She brings him inside and the family tend to his wounds. As he heals, she realizes he is sent to protect the family from an approaching evil. And he brings news of her father.
我居然共情男主了，我的妈呀，lucky me
我尽力了，我也是很宽容的，可是真的，隔阂何鸿沟是你们自己设置的。
米克森和艾弗森在漫长的等待中，不仅要对抗恶劣的天气和野兽攻击，还分别出现了或大或小的精神问题，米克森船长又犯下了两次足以致命的错误，但在两人的共同努力下，在第865天——差不多2年又4个月，他们终于等来到救援队伍。
非常沉闷的电影，老练的船长生死关头的心理素质还不如菜鸟机工
开场觉得是很搞笑的小妞电影，但后半部分落入俗套……
2022.06.01
挺轻松的喜剧，就是主角也太丑了哈哈，好几个配角颜值来补救
Funnies shit I’ve watched this year.
上手一个经典故事，并进行更时髦的更新：很多的“肉”、很尽兴的彻夜狂欢、很emo的同志感受、很经典可期的“gayfron梗”以及在各大影视剧努力绽放光芒的配角们。考虑到Joel Kim Booster和杨伯文本身的喜剧功力，Andrew Ahn在《车道》就早已炮制的出色气质，还有对各种尖锐话题进行漂白粉饰性的回避，仍然感觉像张题材试水的“安全牌”，无意完成本应轻松拿捏的推陈出新。但它依然扎实，并且在骄傲月拉开大幕之时源源不断地释放热闹、活泼的能量；快投身于这个夏季，尽情地爱，真挚地面对自己；在炎热之际，唱布兰妮唱Donna。始终很欢乐，并丝毫不介意这般简单。
事实证明，你简奶奶还是你简奶奶，《傲慢与偏见》这个故事讲了这么多遍，依然好看。只是这部电影除了这个框架就啥也不剩了。
3.5给难得在大荧幕上见到的亚裔少数群族面孔多加0.5
杨伯文在SNL挺有趣的 这里面多少有点尴尬😅
啊will嗓音低沉谁不可以！！男主居然是编剧汗制片人。应该是第二次跟随镜头来到这个岛。恍惚中觉得自己能有一世有过这样的体验那该有多好啊。看看肉图一乐呵完事。
杨伯文在SNL挺有趣的 这里面多少有点尴尬😅
本来是来看可可爱爱的二哈的，结果都被吃了，船长还差点抑郁了，艾玛，景色美是美，就是太冷了。
当代亚裔同志玛丽苏版傲慢与偏见。不知道怎么，想起来看了有17个年头的queer as folk，那个带来的感觉都更真实。
所有美妙的对话都发生在水边，尤其是夕阳的水边……
老套，但有用，谁不想在下班时间窝在沙发上看一部甜腻的轻喜剧电影呢。懒妮的歌加一星。
Noah像吃了炮仗似的全称怼人
五星鼓励！伊丽莎白和达西……就是，故事走向不用猜，所以，经典可以套用。值得欢乐得看一看
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