Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
单纯为了pyzy和qbhn看的 宝什么时候能再上剧啊啊啊😭
现在的肥桥真的不太适合演这种角色了，太容易出戏了。。。倒是书记员那个演员很可爱，角色性格也是我喜欢的类型。校园祭最后太浪漫了，大浪漫与小浪漫的对比和碰撞，好棒
@institut francais,conscience or obedience, person choice or machine command,old question, mediorce presentation with great leading actor
还有一些词语故意不翻译，阿b真有你的。
阿耀去找老爸的城中村那段，很普通的镜头。但我很难忘记。广州最有特色的是什么，不是小蛮腰和美食，就是城中村。这个给那些生活在底层的人有口喘气和生存的地方，冰冰冷冷又有一丝希望。就像广州的城中村永远不见天日。但每条小巷子都有那么一条缝隙能看到光。
永远不要低估邪恶的底线可以去到什么程度，毕竟是基于历史真实人物的再创作，有史可鉴。拉斯·艾丁格无与伦比的演技撑起了一个平凡的剧本，把自身内天使与魔鬼的不断博弈厮杀所呈现出来的彷徨、无助、分裂、挣扎，演绎的如此鲜活和真实——极权之下，无人可免于恐惧。
还是第一部拍得好！虽然还是以搞笑为主调，但这里面加了太多杂七杂八的内容……崛田真由和福原遥的造型是不是得罪化妆师？太多老前辈了，老脸高中生这点还是显得出戏。同时，新人又比较多……纯露个脸。桥本环奈的啤酒肚运动服都遮不住~
在我这比第一部好（更别说看的晚～原著也～懂都懂😂😂😂）单独夸夸结尾部分，烟火晚会上的气球，就这一段真的很有少女漫的感觉！！！几个好看的空镜，成功让我原谅了之前的不满，哈哈哈哈而且有的片段还挺好笑的 这部更适合磕cp下饭
千年好可爱哦！！！and我开始烦佐藤二朗了（
不追番，没有真人毁所有的执念，看着大家说什么太中二真的反感，我不看动漫都知道日本动漫很中二，居然有人会因为中二给漫改打低分？平野紫耀这个发色太显黑了不过看着看着就习惯了，一开始很尬，尬完了开始甜蜜蜜。看到最后白银把辉夜那颗炸碎了的爱心给粘在一起狠狠击中我了，这糖好甜，我先嗑了，本来打算打四分，毕竟在我看来属于无脑小甜饼，冲那颗粘回来的钥匙扣五星
三星多四星少系列，不过既然大家都给得不多，那就四星吧
奉心祭无论看多少遍还是会心怦怦跳 看完之后怀着对平野的爱迅速下单了一套kp九单
到开夜店之前都还正常，甚至还有点搞笑。突然晓明哥出现了？突然游泳被巨轮撞死了？突然小春哥出来教做人了？突然欠债要去广州打工了？突然要飞珠江了？突然女主被撞死了？剧情走向整一个大无语。刘浩存真的是个花瓶。刘昊然除了练了点摩托车杂技之外，演技还是一个样。
很明显，我概念中的含早是含早餐的意思。如同这个概念不同一般，我对韩寒导演想表达的概念也不同，仅看出一个青春过气疼痛文学了。
情节没有第一部那么尬，但是也没有第一部那么欢快逗逼了。讲述其他角色的场景过多，有种喧宾夺主的感觉，让人不禁怀疑这是辉夜的番外篇吗？这点其实很不好，幸好结尾视线又回到辉月和白银2人身上了，总算没有歪剧。剧情有笑点，但不多。从普通观众的角度来说，大概就6.5分的水准，对老婆粉来说，10分！就是有一点要吐槽下，环奈老婆身材又发福走形了，形体管理真心要提上日程了~
在小破站刷到sho的这部，小小惊讶了一下，难得能看到正版引进的我皇～只不过看完才发现好像前面还有一部…不管了…恋降る月夜に君想ふ 好听～（dbq虽然是黑担，但是爱心气球炸的时候真的心颤了一下，sho好会！什么时候能等到yll上一个恋爱剧，本梦女求求了）
意外的可爱，有笑点也有惊艳的地方（比如黄金绶带和漫天气球）。藤原千花选角没有选好，其他都挺不错的。
还有啊b的翻译简直太垃圾了
PS骑摩托车可一定要戴头盔啊！
居然真的告白了~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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