Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
正統續集來得猝不及防，用近年流行的兒童視角重光八零科學精神未嘗不可，一掃某軟重啟外傳的陰霾；雖然拍的是2021，但為了躲避煩囂紐約營造年代感無所不用其極，就連跑到鄉下住鬼屋嘲諷傳統鬼片這種事也幹得出來⋯（老傢伙們出場我和後排老外同時驚呼，情懷這事真不是復古能復出來的
7分，很多致敬梗，而且还会有续集，有什么不好呢？
虽然这个boss连个大招都没有放，但是那个咬金属的鬼好可爱
突然爱上了这个系列，得知这部新作的时候真的很激动，看到麦肯娜·格瑞斯之后就更有心情去看了，麦肯娜的表现确实挺突出的，观影的时候一直是一种愉悦的心情，很多地方都致敬了前两部电影，还是很有看点的。
其实前面大半部分节奏拍得还是可以的，甚至在对情怀的把控上也比之前的翻拍要好上不少，然而观感的平庸只能说当下已经丧失了上个世纪八九十年代的娱乐精神，而彼时的特效无论如何复刻也显得与时代格格不入。
kids and 复古风, 好莱坞找到的新赚钱配方
亚裔小男主简直不能太可爱。剧情无新意，情怀炒冷饭。不及格的商业片。
导演想拍一部一镜到底的动作片，结果搞得像跟拍纪录片，晃得我头昏眼花。那么狭窄的空间，直接丢几颗手雷就好，还要用人体炸弹？故弄玄虚而已……最后男主不得不开主角光环buff，一个人全歼敌人。加一个女主是花瓶吗？就为了解释那一张怀孕的照片？直接领盒饭……我也是醉了！
看完觉得抓鬼也太容易了吧，仪器在手，万事大吉。
一车能装下那么多人？还有一镜到底看得是真晕啊……
叙事铺垫不足，小孩儿说会就会，人物说来就来……
还行吧 能看到Sigourney女神也挺值
一个纯粉丝向的电影，除了对老IP（老爸）的尊敬以外没有任何原创性。埋了300个彩蛋，但故事对普通观众来说看不出意义何在。但熟悉IP的粉丝肯定要打五星。
为啥评分这么低！为啥在国外这么多小朋友喜欢看！
没看过老版，所以没有什么对比，整体看下来挺欢乐，但是中间有些地方过于拖沓了。麦肯娜很棒。
仿《1917》全片用“伪一镜到底”方式拍摄完成，还挺契合片名“one shot”，就是故事有点弱智，想不通一卡车来的恐怖分子竟然比一基地的人还多～
导演还是继续走现实主义吧，这类爆米花奇幻项目真心不适合，拍的死气沉沉，趣味全无，白瞎好题材了.
故事緩慢有割裂感，而棉花糖幽靈真的唯一亮點啦，每次出鏡都好好笑，我會倒看幾次。結局顯然不盡人意，不夠張力。雖然結局是能猜到的啦。可惜就是題材其實那麼好，關聯這第一代捉鬼敢死隊（隊員，還有經典的幽靈等）。怎麼說呢，整體看完就還是有點懵，趣味性沒有很高，想打2星5，不過 麦肯娜·格瑞丝 饰 菲比 確實可愛有魅力，給夠3分吧。
恐怖分子怎么杀了这么多还有这么多？一镜到底确实现场感更强！
对，三星就给枪战吧，打不完的子弹，也给阿金斯吧。还是接受不了这种逻辑不自洽的枪战和战争片。
Copyright © 2015-2023 All Rights Reserved
