"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
十年前我爹给我下载了盗版的老友记装在硬盘里，让我带着出国读书的时候可以学英语。一开始我不感兴趣，偶然一天开始看，一发不可收拾，从头到尾看了好几遍，每次都还是很好笑有时候很有启发。十年后我爹走了，看着这个特辑，想念我爹。
Phoebe身上有小虫子那里太可爱了，只要心怀童真，不管真实年龄多大，永远都是双马尾的小女孩~
莫妮卡:本来要演瑞秋。最美但笑点较少，生气大嗓门+管控欲+女汉子+洁癖。
虽然说是被一群幼儿园小朋友教育什么是青春，但u1s1确实还挺热血。那些曾经觉得无意义的事，做过的很傻逼的事，都是我们的青春，那正是我们的青春。燃烧吧！享受吧！少年！！
阶级划分、精英教育、友情岔路，三位一体，本格推理。用蜡笔小新一行儿童强行嵌套了一个青春燃剧。
The fact that these episodes were not filmed in actual apartment rooms makes me feel so weird...
关于长大以后跟朋友差距变大渐行渐远的那段有被戳到😭 话说我也好想养科莫多巨蜥！！！！
我一个一集都没看过的人，看这个重聚很快就被卷进这个剧的能量场里面了。真的很能感同身受，我们每个人的人生似乎都有那么一段最黄金的时期，最好的爱人朋友都在身边，喜怒哀乐都那么深刻，虽然它终会远去，但是始终熠熠生辉，永远刻在了我们的生命印记里，永不磨灭。
笑着笑着就泪目了。
“没人说过人生会是如此这般，做着没出息的工作又没钱，恋情总是胎死腹中，人生仿佛一直卡在二档，每天每周每个月都不顺遂，甚至是每一年。但我会陪在你身边，因为你也都陪在我身边。”
感觉就像多年不见的老友，我们聚在一起湖天海地的聊天叙旧，真好。#也真心希望不要出其他任何的电影，续集，番外啥的了，之前的结局我觉得是最合适的了，也是最完美的了#
看哭，风间最后那段跑好煽情。几次莫名其妙的展开，但跟人设很搭，不得不说小新这几个人的人设，与“自私自利、争风吃醋、憨直卖萌、耍贱逗乐”都可以配合上，而哆啦A梦那边就只能全员正能量，太局限了；侦探线普普通通，而且丢掉了开头的分数设定，扣分，但这个结果太无厘头了，太符合傻乎乎的风格了，无法不爱
刚上大学那一年看的，满满都是回忆。ps就这么人畜无害的重聚节目居然也被平台删减，手里拿着正版却不干人事。
和新朋友一起看了老友记，聊起了和各自的老朋友一起看老友记的时光。真希望这样和那样的时光永远都不结束。
之前没看过蜡笔小新剧场版，第一次看没想到惊艳到这种程度，前半段想聊的点特别多，科技提升衍生出的伦理问题(AI完全取代教师职能) 日本特有的精英(エリート)文化 从众心理 日本严重的重视规则(ルール) 只通过评分(工资)来judge人的高低 还有阶级固化带来的阶级矛盾 ，讨论的不深但是每一点都无比真实。后半段热血的部分真实影院爆哭(被身边的人关心着和在乎着的感觉最高) 后来听一直是蜡笔小新铁粉的女票说剧场版的脚本监督一直是adventure time的团队，恍然大悟 (btw安利下神剧AT 心中Top1白月光
“bullshit”
I'll be there, for you.
Life doesn’t reward everyone with friends that turn into family.
反鸡娃，反精英，蜡笔小新剧场版再次聚焦了现实问题，并且挥洒着天马行空的想象力。在一所价值观异化的学校内，通过精英分数打造了一整套扭曲的设定，直击教育乃至是阶级层面的种种问题。我们真的永远可以相信蜡笔小新的主题表达。
I'll be there for you ...
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