The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
绕了一圈还是回到原点
后现代西部片，细腻、苍凉。比利小子依然神一般存在。
牛逼
有点装。坏人都得死，曾经的坏人也得死，看来老美也讲政治正确。
平平静静的…然后爆发一场恶战，就这么打破了平静
不废话，不矫情，不拖泥带水，就是干，太爽了
氛围感有了，但是不交代下之前发生的事还是有点儿云里雾里
美国平民的持枪习惯是有历史依据的，电影不太行。
传说中的比利小子变成了老比利，见识过大风大浪的人处变不惊，大杀四方，却终究暗箭难防
一般，就最后干了一仗，发现是农夫与蛇的故事。一代代就这样教育，就这样苦哈哈，惨兮兮的，谁都得防着。说一堆有啥用？还不是又穷又没文化。
西部片坚硬强悍粗糙的质感 角色像unforgivable里的东木
色彩动人，细节精致。即使不交代老亨利的身份也很好看。
老派西部片，简单的故事但很工整，枪战也很真实
很传统很正统的西部片了。正所谓惹老实人，一时善念，麻烦缠身，岂料揭开不为人知的过去，终究该还的还是要还。
这才是生活的现实与生命的真实。
想看西部片就能看到这么朴实纯正的西部片真好。
从《比利小子》到《雌雄大盗》，各类西部片看了超100部，印象最深的依然是韦恩的红河路艰，依然是荡气回肠的快意恩仇，大漠生死，各向一边，世事苍凉。
丘岭风光，沉着冷静的农民亨利，看起来，好。
一开始就觉得这个男的肯定是个传说人物 却没想到最后还是死在敌人手里 而且是救过的 太讽刺 也可能是因果
西部风格，悠远辽阔。大爷虽离江湖已远，但大爷还是那个大爷。
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