Acclaimed British actor Christopher Eccleston (The Leftovers, Thor: The Dark World) will be joined by Marsha Thomason (White Collar) and Paterson Joseph (The Leftovers, Law & Order: UK) in a new four-part drama series Safe House from Eleventh Hour Films. Safe House is a tense thriller set in the beautiful wilderness of the Lake District. The cast will also include Jason Merrells (Emmerdale, Waterloo Road), Nicola Stephenson (All At Sea, Holby City), and Peter Ferdinando (Doctor Who, A Field in England) and is set to commence filming today; Monday 6th October. The 4-part drama tells the story of a married couple: Robert (Christopher Eccleston) a former detective and Katy (Marsha Thomason) a teacher who are asked by close friend and police officer Mark (Paterson Joseph), to turn their remote Guest House into a Safe House. Their first ‘guests’ at the Safe House, are a family in fear of their lives after they are violently attacked by someone who claims to know them. For Robert protecting the family resurrects fears and anxieties bound up in a terrifying night eighteen months ago - where he was protecting a star witness who was about to testify against her gangland husband. Unexpectedly, he was shot, and she was killed. As a consequence of running the Safe House, Robert re-questions this incident and uncovers a web of lies. Inspired by a real couple, Safe House is a distinctive character-driven drama created and written by Michael Crompton (Kidnap & Ransom, Carrie’s War), and directed by award-winning Marc Evans (Hinterland, Collision) and produced by Andrew Benson (Strikeback, Mad Dogs). It is being developed by Eleventh Hour Films’ Paula Cuddy, who is also an Executive Producer, alongside Jill Green. Safe House is potentially a returnable series for ITV and Eleventh Hour Films and was commissioned by ITV’s Director of Drama, Steve November and Controller of Drama, Victoria Fea. “We're delighted to commission Safe House from Jill Green and Eleventh Hour Films. It's a compelling four-part drama from Michael Crompton with great characters and genuine twists which keep you guessing right to the end.” Jill Green (Foyle’s War, Collision, The American) said: “ This brilliant idea for a psychological thriller has attracted a strong cast – and will keep viewers gripped.”
后半段尴尬死了。在火车站也是乱糟糟的。尤其到郑村，我觉得所有人都尴尬。电影院还有没有好片子了呀？李现这个演法，我觉得活脱脱就是另一个胡歌。辛芷蕾，雷佳音，葛大爷，杨新鸣，真是亏了这些好演员了。有几个熟面孔是惊喜，张世豪，咏梅等。
真佛头在哪看过书的人或者看过书的简介的人都知道，也因此最后那一刻固然重要，但更重要是过程。就是这过程吧，说是冒险吧冒险不惊险、说是密室逃脱吧，最后出密室靠的是葛大爷和枪战，说着古董知识吧，这知识太浅了我妈都知道。浪费了咏梅和葛大爷，我觉得甚至都浪费了雷佳音和辛芷蕾，相比剧情和故事，演员和演技高配了
在国产电影水平一路向下的整体水平中《古董局中局》算得上是一部好片，剧本好果真是局中有局。演员好，雷佳音辛芷蕾和葛大爷演技都在线，连郑家村的配角都很有的看，包袱抖得好有笑果悬疑安排到位麦格芬也足，商业元素都齐了。如果要想更好看的话可能还得再做做减法，把一些东西再砍砍减少烧脑内容和葛大爷的煽情戏，节奏能更好吧。
6.5 不烂但也没超出预期，片荒时期可以看，有个不得不吐的超级bug，全片追寻真佛头在哪，结果就这？当年送出去的即是假佛头又是真佛头，所以许爷爷到底算不算汉奸？！许爷爷怕不是穿越过时空，精准预判了未来走势，就很迷……全片最佳还是葛大爷，出场自带笑点的男人，李现还是有那么点儿格格不入
其他的不说了，李现在这一堆戏骨里是真得拉。
影片是关于“一个佛脑袋”的故事，涉及俩代人恩怨的搞笑悬疑剧。
全片不功不过，剪了很多线，有点粗略，
九零年代质感尚可，剧情从入郑开始魔怔，结尾大乌龙……与《寻龙诀》相差太远。12.3
就中规中矩吧……之前剧版就还可以，但可惜我没坚持看完，就看不下去了。到了电影版，甚至还没剧版高级，到了后面明明剧情一再高能，也看不进去……就……可能我跟这片没缘分。
虽然剧情有BUG。看之前以为李现最帅，看完发现葛大爷最帅
整体看下来会有点乱
法相在皮相之内，真身在假身之中。电影改编的还不如剧版精彩。
相对于电视和小说，改的地方不少，对于相对时间较短的电影来说这么改的却增加了不少戏剧冲突，但有些地方改的就有些莫名其妙了，比如说葛优这个角色，哪怕是看过电视剧和小说的，都很难理解他在电影里那些行为的动机，更别说只看过电影的那些人了。
纯粹的造梦故事，没大缺陷也没啥惊喜，如果中国真的要对标好莱坞，自寻龙诀以来发展正常的话，一年应该有10部这样的电影。虽然服化道有时代痕迹，但基本是个架空的故事，有基本的人性，却没有贴近现实，尤其是毫无政治性表达。要不是古董题材没法拍外国，不然肯定把背景设在东南亚了，这样现实感还会强一点。喜欢古玩的观众可能会有点激动吧。而对我来说最好的是终于又在大银幕见到葛优了——他的表演在类型片里实在太松弛了，值得一个最佳配角奖。
挺板正的商业片，葛大爷是个惊喜。但我们国内这几本盗墓、古董的书就拍不完了吗？翻过来翻过去的拍…
意外的还行，狂推主线导致细节流失，但这么紧凑节奏的国产商业电影也是少见，观感上还是刺激的。但正是细节上的流失导致越到后面越无力，人物、动机各种站不住脚，有种草草收尾之感。最可怕的逻辑闭环是真佛头既然在假佛头里面，这不就是相当于把真佛头给送出去了吗，如果日本人不还回来不是无解了吗?毕竟这东西日本人认为是真的，所以这一切的出发点是啥?
看这部电影需要抛开原著，整体改编的还行，但是药不然这个角色也太差劲太扁平了吧？还有为啥非要把付贵儿弄死啊我不理解，本来想给四星的因为这两个原因改成三星了！
挺有意思的，好像学了一些古董知识，其实并没有，危险，为葛优而看~
娱乐性挺足的，但总觉得背景人物和情感铺垫不明不白？李现从头到尾脸上写着“我是反派”，咏梅这片和《风去洛阳》都是演大佬，气场全开。
很好，电影院里有过年的气氛了。
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