The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
这么小就想做演员,当明星,你还有很多功课要做那:)
灾难片,表达也是要保护自然的一种思想,电影最后是救回来的,但现实往往是失去了。
时长太长了,有点乏味,控制在90分钟就差不多。
浪漫爱情主题之《火车陌客》(不是)交换去搞黄对方EX新恋情以求回心转意之中却爱上了彼此还蛮有创意的~学会了情话u r my slowburn~配乐里有Unforgettable 爵士金曲~发现约会17岁那段太搞笑哈哈哈看到了客串的SNL的Peter
两个人怎么就爱上了?有点突兀,但是可看性还是不错的
但是那种慢慢爱上的人
备胎慷慨就义以后,所有人包括编剧都把他忘记了
迪士尼最拿手的题材,同时也有迪士尼比较典型的弊端,太过安全和保守,比如展现“玫瑰少年”在校园被孤立和霸凌的镜头只是一笔带过,男主也没有太多的自我认同困惑,用五光十色的百老汇之梦弱化了取向上的冲突。时而戏精附体、时而脆弱敏感,这倒是LGBT群体会比较令人共情的点。
油田失事救援与自救的故事,其实有历史大背景在,故事完整无功无过。
老婆救老公,最后三选一,让帮忙的人去死,这什么价值观?人渣两口子。
【C】挺沉闷的灾难片,灾难场面没有太多展现,剧情行为逻辑不太经得起推敲,人物描绘也就及格水准。
论交个过命的好友的重要性。特效虽少但优质,情节就是普通灾难片的套路
上海lockdown的日子里看一部这样的电影,真想感叹,生活如果能像在迪士尼电影中那么美好就好了。
中规中矩吧,小众的灾难片类型,但是有些不够爽快,灾难场景的刻画不够丰富,另外同事牺牲的有点突然(你为啥要去呢?)
豆瓣标签都没了 呵 #22年电影 #歌舞 #2
容易被低估的爱情喜剧,I Want You Back的喜剧包袱能让人开怀大笑,其对爱情部分的描写也能让人沉浸其中。
讲述的是挪威海岸上的一个石油钻井平台突然倒塌
很少见
真挚动人,看之前以为会非常俗套,但是看了只后觉得非常惊喜
看看油井、看看大海、看看家庭温暖,想想环保问题,想想那个用自己命来换人家家庭团圆的人。中规中矩看看
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