The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
不可饶恕的剧本,只是老亨利感觉没有老牛仔气质,演技略显浮夸,没荒野三部曲那味。
西部片的复兴,演员们全片演技在线,剧情步调正常,尼尔森耍枪俐落帅,反派多尔夫也坏得到位
硬核老派西部片,有血有肉,不宣扬,不做作。7.5+,多半分,敬情怀。
节奏明快,剧情略简单,很老派,还算值得一看
有时候他也嘟囔嫌钱不够使
情节够紧凑,不拖沓,有反转,又有不少西部片的影子。
波和麦金尼在门廊,加勒特闯进屋子,开了两枪...
孩子,你埋你舅舅了吗?
色彩动人,细节精致。即使不交代老亨利的身份也很好看。
男主是《巴斯特斯格鲁格斯的歌谣》里骑白马弹琴传唱故事的神枪手
剧情有点相似 到走出了另一种方式 或许是亲情的温服让人为之改变 也为之有所牵挂
剧情中规中矩,老亨利处事果断,枪法稳准,疾恶如仇。动作快,姿势帅。
太多售卖廉价情感的电影的现在,这样的电影算是少有了。
bug多。题材无感。
猜中结局,扣一星。节奏还好,导演可以。价值观还能接受,看在科恩班底的份上,表演给四星。
黑吃黑的一窝匪遇到隐匿多年的孤胆老枪手,人多势众依旧干不过艺高胆大老家伙,印象中这才是那边经典硬汉片…🤠
比利小子一张照片就值天价,最后的枪战,可以的
从故事到画面,从对白到配乐,无比复古,无比传统,在这个科恩兄弟和昆汀用各种现代手法让西部片不那么西部的时代,在被政治正确绑架的好莱坞剧本陷入低能死循环的时代,《老亨利》让人重新回到约翰韦恩和伊斯特伍德纵横好莱坞时那个传奇的西部岁月
很多人把宏大叙事拍的格局拉胯,该片反之
纯正的西部片,如果枪战再爽些,老亨利再帅些就更好了。
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